Jaume Plensa

Verdi

2006

Mi obra En las profundidades forma parte de mi proyecto Mundo Agua. Pintada con acuarela y acrílico negro sobre papel bambú, y utilizando hojas secas estampadas, surge una obra llena...

San Francisco shoes, 2013 Image size: 47.6 in. H x 48 in. W Acrylic, graphite, oil pastel, and paper & transferred on tempered wood pegboard Mix Media ______________________________...

'Louisiana Irises (I Burned As You Bloomed)' Original artwork. Framed, ready to hang ___________________ Blazing heat and azure sky, glamorous flamboyant blooms, the exquisite flush...

Suhas Roy Radha (a) Mixed Media on Board, 5.4 x 5.6 inches, 2009 (b) Mixed Media on Board, 4.8 x 6 inches, 2006 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canva...

mixed media on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

mixed media on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...