Kevin A. Short

Bend in the Light; Trestles

2022

Provenance Acquired by the gallery directly from the artist Artist Statement "The effect from the afterglow resulted in a play of complementary colors ~ enhancing the mood." —Amy Si...

Provenance Acquired by the gallery directly from the artist ARTIST STATEMENT "The vitality generated when I placed these electric sunflowers into their red glass vessel demanded a b...

Provenance Acquired by the gallery directly from the artist Artist Statement "When there is a 90 percent chance of rain moving in, most people want to be warm and cozy at home, but ...

Acquired by the gallery from a private collector in Alaska who acquired the work in 2012 from Bingham Gallery, Mount Carmel, Utah Exhibitions Bingham Gal...

Provenance Consigned to the gallery by private collectors Description The lower third of this landscape painting by Hanson Puthuff, created circa 1930, depicts the dry wash of the Arroyo Seco and the gently rolling green Verdugo foothills. In the middle ground are two Mediterranean-style homes barely visible as they are nestled among a grouping of trees. The buildings indicate the scale of the massive purple San Gabriel mountains in the distance. Many of Puthuff’s paintings depict the environs near his home in La Crescenta, west of La Cañada...

Acquired by the gallery directly from the artist. Description Dappled shadows of a large tree are projected by moonlight onto a broad walkway leading up steps to home. With only seg...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...