Andreas Storrs Andersen

High Rolls, New Mexico, 1940s Southwestern Landscape, Desert Church with Trees

1942

An original modernist still life oil painting by John E. Thompson (1882-1945), table is draped in red cloth and flowers in vase are red, yellow, blue/purple and white with green stem...

"Homesteaders" is an original oil on board painting by artist Harold Vincent Skene (1883-1978) painted in 1960. The painting depicts two figures plowing a field with a pair of oxen, ...

Oil on mounted paper, Colorado modern mountain landscape painting by early 20th Century female artist, Eldora Pauline Lorenzini (1910- 1993) from 1937....

Oil on board landscape painting of a Pueblo near Santa Fe, New Mexico signed by artist Eliot Candee Clark (1883-1980), painted in 1932. Signed by the artist in the lower left corner. Composed of shades of brown, tan, and blue. Presented in a custom frame, outer dimensions measure 23 ½ x 25 x 1 3⁄4 inches. Image size is 17 1⁄4 x 19 1⁄2 inches. About the Artist: Son of landscape painter Walter Clark and Jennifer Woodruff Clark, a student of psychic phenomena, Eliot Clark was a precocious artist who became a landscape painter in the late American Impressionist style. Moving to Albemarle, Virginia in 1932, he was one of the few Impressionist artists of the Southern states. Likely this was a result of his association with James Whistler and his painting in 1900 at Gloucester, Massachusetts with John Twachtman, a family friend. Showing his obvious interest in Impressionism, he wrote a book about its exponents including Twachtman, Theodore Robinson, Childe Hassam, Julian Weir, and Robert Vonnoh. Clark was a teacher including at the National Art Club from 1943, the Art Students League, and New York City College. Early in his youth, Clark traveled with his father and other prominent artists to paint in the summer art colonies at Annisquam, Gloucester, Chadd's Ford and Ogunquit where he met artists of stature such as Edward Potthast and John Henry Twachtman. Clark's only formal instruction was a short two months at the Art Students League in New York. His landscapes evoked a "spiritualized rendition of nature" that was to stay with him for the rest of his life. Clark (perhaps related to his mother's interest in physic phenomena) developed an early interest in oriental philosophy that ended up having a major effect on his artistic development, the sense of spirituality in his landscape paintings slowly grew in importance. Clark was educated in the New York public schools, and at age 13 exhibited with the National Academy and the New York Water Color Club. By 1912, he had won national painting awards, and by 1916 was writing books on American artists as well as the history of the National Academy. In his early years Clark was privately tutored, and then later graduated from Washington Irving High School at the early age of fifteen. Although he later was quoted as saying "he had no formal training from his father", his early work was notable influenced by Walter Clark's tonalist style. Between 1904 and 1906, Clark studied in France in Paris and Giverny, and in London he saw the impressionist work of James Whistler. He wrote to his father about the Whistler Exhibit stating that some of Whistler's work impressed him, "not so much in the handling, but in the use of color, and subtle arrangement of line and balance of masses." He engaged in a "walking tour" of Europe with a fellow artist whom he met in earlier in Paris. They visited many of the major galleries in Holland and then traveled through the Alps, finally reaching Venice on August 10, 1906. I n Venice, he produced some Whistlerian style pastels similar to the ones he had seen in the Whistler Exhibition. He returned to New York in 1906, and a year later took a studio in the Van Dyke Studio Building on Eighth Avenue...

Oil on canvas painting, titled 'Early Spring' (Thompson's Studio) painted in 1933 and signed by John Edward Thompson (1882-1945). Impressionist style portrayal of the artists studio ...

WPA era oil on canvas landscape painting by Hayes Lyon (1901-1987) titled 'The Hillside' from 1938. American modernist portrayal of a hillside farm with a b...

Exhibited: New York Society of Artist Sid Deutsch Owings-Dewey Fine Art It's Skyscraper City: 1918. The artist depicts a simultaneous interior and exerterior view.. Based on Cole...

An original oil on canvas by listed New York female artist Enid Smiley.

Castle. Oil on cardboard, 38x45 cm

This is a painting from my architectural series of works. I love this Richard Neutra house and enjoyed painting it and adding my style with sun loungers and various cacti and a limit...

View from Pitstone Hill [2019] original oil on canvas Image size: H:23.5 cm x W:32 cm Complete Size of Unframed Work: H:21 cm x W:30 cm x D:.5cm Frame Size: H:23.5 cm x W:32 cm x D:...

Rolling Hill no.3 is a vibrant original oil painting by Alexa Roscoe. This painting is a celebration of colour and movement. It captures the English countryside in a contemporary and...