Arthur Clifton Goodwin

City View from the Harbor

1902

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Signed lower left: VICTOR C ANDERSON; titled and signed on verso: DOWN AT VEPPLANKS / by / V. C. ANDERSON

Signed and dated lower left: Theo Wendel 84

Signed lower left: Hayley Lever

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

Signed lower right: Irving R. Wiles

Impasto Oil Painting of Melting Snow on English Moor Landscape by British Artist. Original on Canvas. Art measures 20 x 8 inches Frame measures 25 x 13 inches Colin Halliday is a ...

Impasto Oil Painting of a Moorland in the English Countryside by British Landscape Artist. Original on Canvas. Expressive and atmospheric depiction of a stormy. Art measures 26 x ...

"Cloudy Evening, Dering Harbor" is an impressionist night view of the northeastern harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...