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Arthur Meltzer"Creek Near Rushland"c. 1935
c. 1935
About the Item
Jim’s of Lambertville is proud to offer this artwork:
Signed lower right. Complemented by a hand carved and gilt frame.
*Original Meltzer frame
Arthur Meltzer (1893 - 1989)
Arthur Meltzer was born in Minneapolis, but spent most of his life in Bucks and Montgomery counties where he was widely acclaimed as a landscape painter. He first received art training at the Minneapolis School of Fine Arts under Robert Koehler and worked for six years as a stained glass window artist. After serving in the First World War he decided to continue his studies at the Pennsylvania Academy of Fine Arts under Joseph Pearson and Daniel Garber. He was honored with a Cresson Traveling Scholarship in 1921.
Meltzer taught at the Moore College of Art from 1926 to 1949 and for a long time was chairman of the Fine Arts Department. While there, he met and married fellow faculty member, artist Paulette Van Roekens. They used to jokingly recall Meltzer admiring one of her paintings, convinced she was an old and successful haughty artist. When they finally met, he was surprised to find that she was a lovely young woman. He jokingly advised her to marry a wealthy older businessman who could bankroll her career. She replied with a suggestion that he marry a not-too-talented young art student “so you wouldn’t have to play second fiddle”. Thus began a 61-year long marriage. Both Meltzer and Van Roekens lived well into their nineties and died only a year apart.
Meltzer resided in Huntingdon Valley, Pennsylvania, a town midway between Philadelphia and New Hope. He painted primarily in Bucks, Montgomery and Berks counties. An extremely versatile artist and craftsman, Meltzer was a master of landscape, still life, and figure painting, as well as making his own custom frames used on both his and his wife’s paintings. He is best known for his sophisticated impressionist landscapes of rural Pennsylvania. His paintings stylistically resemble a combination of elements found in works by New Hope’s two most recognized artists, Daniel Garber and Edward Redfield. His use of thick impasto to create rushing water, realistic stonework, gnarly brush and snow-covered terrain is reminiscent of Redfield. His precise draftsmanship and ability to project seemingly endless depth in his paintings clearly comes from the influences of Garber.
He exhibited at the Pennsylvania Academy of the Fine Arts (1922-46), the Phillips Mill Art Association, the Connecticut Academy of Fine Arts (1931 prize), the National Academy of Design, the Art Institute of Chicago, the Woodmere Art Museum, the Philadelphia Sketch Club (1924, 1927), the Corcoran Gallery Biennials (1926-39, four times), the Philadelphia Art Club (1926) and the Ligonier Art League (1961 Gold Medal).
His work is in the collection of the Pennsylvania Academy of the Fine Arts, Moore College of Art, the James A. Michener Art Museum, the Woodmere Art Museum and the Philadelphia Art Alliance, among others.
Sources:
-New Hope for American Art by James M. Alterman
-Philadelphia Inquirer, July 3 1989
-Philadelphia Record, May 10, 1944
- Creator:Arthur Meltzer (1893-1989, American)
- Creation Year:c. 1935
- Dimensions:Height: 20 in (50.8 cm)Width: 22 in (55.88 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Frame Size 20" x 22" x 2"Price: $33,125
- Medium:
- Movement & Style:
- Period:
- Condition:very good condition.
- Gallery Location:Lambertville, NJ
- Reference Number:
Arthur Meltzer
(Philadelphia, Pennsylvania 1893 - 1989) Born in 1893 to Lithuanian emigrants Louis E. and Cecelia Fineberg Meltzer in 1893, Arthur Meltzer learned the skills he would use as an adult to craft frames and furniture at an early age. He apprenticed as a young man at the Ford and McNutt Stained Glass Company, where he stayed for six years, until he enlisted in the Army to serve in World War I. After his two-year service in the Army, Meltzer traveled to Philadelphia, where he had an uncle, and in 1919 he enrolled at the Pennsylvania Academy of the Fine Arts. He studied under Daniel Garber, Joseph T. Pearson, Jr., Hugh Breckenridge, Robert Vennoh and Arthur B. Carles. He was awarded the prestigious William E. Cresson Traveling Scholarship, and he traveled to Europe, where he painted and visited many museums throughout the continent. He met his future wife, Paulette Van Roekens, at the Philadelphia School of Design for Women (now Moore School of Art and Design), where he joined the faculty in 1924 and became the head of the Fine Arts Department. They married in 1927 and settled in Trevose, Pennsylvania, where they lived together for over sixty years. Meltzer exhibited frequently at PAFA and won their Fellowship Prize in 1925. His work was exhibited, and won numerous prizes at institutions throughout the country, including the Philadelphia Sketch Club; the National Academy of Design; the Corcoran Gallery in Washington, DC; the Woodmere Art Gallery (now the Woodmere Art Museum); and the Phillips Mill Art Association in New Hope. His paintings vary in subject matter, ranging from painting to life drawing, to anatomy and portraiture. His painterly style reveals itself in his many still lifes as well as in his beautifully rendered landscapes of Bucks and Berks Counties and Mystic, Connecticut. Meltzer died at the age of ninety-five at Abington Memorial Hospital.
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