Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Benjamin Barker of Bath
Figures resting by a fire with a wagon in a wooded landscape

About the Item

Benjamin Barker of Bath (Pontypool 1776-1838) Figures resting by a fire with a wagon in a wooded landscape Oil on canvas 28 x 35 7/8 in 71.1 x 91.2 cm Benjamin Barker, the younger brother of Thomas Barker, worked in Bath after the family settled there in 1783. He showed in the Royal Academy, the British Institution and the Society of Watercolorists between 1800 and 1831. Many of his watercolours are in the Museum of South Kensington, and Theodore Fielding has reproduced many of his watercolours in aquatint in his 1824 volume ‘English Landscape Scenery. At the height of his success, Barker was incorporated into many important collections, and hung alongside the likes of Wilson, Gainsborough and Turner. Benjamin West regarded him as a better, more poetic painter than his brother.
More From This SellerView All
  • A bay hunter in a landscape
    By Charles Towne
    Located in Stoke, Hampshire
    Charles Towne (1763-1840) A bay hunter in a landscape signed and dated 'Charles Towne Pinxit 1816' lower left Oil on canvas Painting Size - 20 x 26 Framed Size - 25 x 31 in Provena...
    Category

    Early 19th Century Old Masters Landscape Paintings

    Materials

    Oil, Canvas

  • A view at Tivoli
    Located in Stoke, Hampshire
    John Rathbone (1750-1807) View at Tivoli Signed lower right Oil on Canvas Canvas size - 18 x 24 in Framed size - 24 x 30 in John Rathbone was born in Cheshire in 1750 and worked as ...
    Category

    18th Century Old Masters Landscape Paintings

    Materials

    Oil

  • A large wooded river landscape with drovers
    By Benjamin Barker of Bath
    Located in Stoke, Hampshire
    Benjamin Barker of Bath (Pontypool 1776-1838) A wooded river landscape with drovers Signed and dated 'B.Barker pinxt/ 1807' lower right Oil on canvas 46 x 68 3/4 in (116.8 x 174.5 cm...
    Category

    18th Century Old Masters Landscape Paintings

    Materials

    Oil

  • 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes
    By Henry Bernard Chalon
    Located in Stoke, Hampshire
    Henry Bernard Chalon (London 1770-1849) 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes Signed and dated 'H.B. Chalon pinxit 181...
    Category

    Early 19th Century Old Masters Animal Paintings

    Materials

    Oil

  • Sir Richard Sutton's foxhounds
    By John Ferneley Senior
    Located in Stoke, Hampshire
    John Ferneley Snr (1782-1860 Melton Mowbray) Sir Richard Sutton's foxhounds signed J. Ferneley lower right Oil on canvas Canvas Size 16 1/8 x 20 1/2 in Framed Size 21 x 25 in Proven...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

  • Two spaniels working with a huntsman beyond
    Located in Stoke, Hampshire
    William Jones (c.1798-1860) Two spaniels working with a huntsman beyond Oil on canvas Canvas Size - 16 x 21 in Framed Size - 21 x 26 in William Jones’s work is well-known, emanating...
    Category

    19th Century Old Masters Landscape Paintings

    Materials

    Oil

You May Also Like
  • Coastal See Landscape Antoniani Paint 18th Century Old master Oil on canvas Art
    Located in Riva del Garda, IT
    Francesco Antoniani (Milan 1700/1710 - Turin 1775) workshop Fantasy coastal view with boats and figures Oil on canvas 56 x 138 cm. - framed 71 x 153 cm. Excellent condition This f...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

  • Diana Albani Mythological Paint Oil on canvas 17th Century Old master Italy Art
    Located in Riva del Garda, IT
    Diana and her nymphs surprised by Actaeon Francesco Albani (Bologna 1578 - 1660), workshop of oil on canvas 62 x 75 cm. framed 72 x 84 cm. (period frame) The proposed painting, de...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Battle Horsemen Landscape Graziani Paint Oil on canvas 17th Century Old master
    Located in Riva del Garda, IT
    Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Coastal Landscape Capriccio Saeys Paint Oil on canvas 17/18th century Flemish
    Located in Riva del Garda, IT
    Jacob Ferdinand Saeys (Antwerp 1658 - Vienna 1726) and workshop Architectural capriccio with a coastal view at sunset and figures oil painting on canvas 60 x 91 cm., With frame 75 x...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Allegory Triumph Of Art Over Time De Visch Paint 18th Century Oil on canvas Art
    Located in Riva del Garda, IT
    Matthias de Visch (La Reninge, 1701 - Bruges, 1765) Signed and dated on the edge of the globe: M. De Visch 1739. Allegory of the triumph of Art over Time (Music and Astrology that c...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

  • Storm See Water Landscape Vernet 18th Century Paint Oil on canvas Old master
    Located in Riva del Garda, IT
    Claude-Joseph Vernet (Avignon, 1714 - Paris, 1789) workshop of The Storm on the Lighthouse 1750/60 Technique: Oil on canvas Dimensions: 48 x 67 cm / framed 77 x 93 cm We share a highly pleasing work, a splendid marine executed by a talented painter from the workshop of the Frenchman Claude-Joseph Vernet, depicting a coastal view set in a Mediterranean port with the sea still stormy. The focal point of the composition is the large lighthouse at the entrance to the port, which, due to the power of the sea, was unable to bring to safety the ship that had crashed against the rocks, while the silhouette of a second sailing ship can be glimpsed in the distance. The canvas shows in full the pictorial, chromatic and narrative characteristics of the great master Vernet's coastal landscapes, characterised by the inimitable atmospheric conditions always hovering between darkness and light, storm and calm, instilling the observer with contrasting feelings, made even more intense by a palette of vibrant and highly contrasting colours. A similar composition, from which our author must necessarily have drawn, also attributed to the workshop of Claude Joseph Vernet is to be found in France, in Nantes, at the Musée d'Arts.  The effects of the light create a visual drama in the contrast between the darkness of the rain-laden storm clouds and the gash of clear sky that is opening up, pierced by the timid rays of light. The real magic of the painting is the painter's highly personal use of light and colour, with chiaroscuro effects that accentuate its three-dimensionality and movement.
 The compositional typology, as well as the quality of execution and attention to detail we are dealing with, are typical elements of the 'prototypes' conceived by the master, later taken up around the middle of the 18th century by his best pupils. Similar versions can be found in the most important international museums and private collections, belonging to a large series of paintings that the master created, together with his collaborators, during his stay in Italy. Vernet lived in Rome for twenty years (1734 - 1753), becoming particularly popular with English aristocrats who stopped there on their Grand Tour. International fame followed him from Rome to France, and to his English and French clients he added German princes...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

Recently Viewed

View All