Items Similar to French Vineyard Landscape - British Post Impressionist 1920's art oil painting
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Bernard Fleetwood WalkerFrench Vineyard Landscape - British Post Impressionist 1920's art oil paintingCirca 1925
Circa 1925
About the Item
This vibrant Post Impressionist oil on canvas painting is by Bernard Fleetwood Walker circa 1925. The painting is of a French vineyard with the picturesque landscape running up to a hillside village. The impressionist palette really gives one the sense of it being a hot summer's day.
Signed lower left.
Provenance. Midlands estate.
Condition. Oil on board, 18 inches by 14 inches approx and in excellent condition.
Framed in a complimentary frame 25 inches by 21 inches framed and in good condition.
Bernard Fleetwood-Walker , PPRBSA, (1893-1965) was an English artist and teacher of painting. In variably known as B. Fleetwood-Walker, he was born in Birmingham, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley who, together with his brother John Varley, had been amongst the founder members of the Royal Watercolour Society in 1804. Fleetwood-Walker was educated at Barford Street School and at King Edward’s Grammar School, Five Ways and went on to train in the arts as a silver and goldsmith. Through working as a modeller and on low relief he developed an interest in painting and furthered his studies at the Birmingham School of Art and Crafts, as well as in London and under Fleury in Paris.
During the First World War he served in France as a sniper in the Artists Rifles and was wounded and gassed. Various studies exist showing he continued to draw while in the army and a fellow soldier, years later in a letter to the artist’s widow, described mural decorations he painted for Christmas 1918 on the wall of a warehouse being used as a mess-hall in the deserted village of Auberchicourt, near Douai. He used dry colours found in a builder’s yard mixed with ‘the glutinous substance you get from oatmeal porridge’. These materials were ‘food and drink to him’ and he regarded the war years as wasted time. Returning to Birmingham after the war he married Marjorie White (‘Mickey’) in 1920 and had two sons, Colin and Guy. He taught, first at King Edward’s Grammar School, Aston where added to his talents he designed remarkably avant-garde scenery for the school plays, and then, from 1929 as a gifted, respected and influential lecturer at the Birmingham College of Art under Harold Holden. Having been trained at a time when strong drawing and a high level of technical skill was the pre-requisite of a successful career, he excelled as a draughtsman and through his teaching encouraged these virtues in others. He encouraged his students to use every sort of medium to hand, doled out fierce criticism and demanded high standards, and at the same time lectured perceptively on contemporary art movements. He worked prodigiously during this time, exhibiting at the Royal Academy from 1925, developing his abilities as a practising artist and quickly gaining a reputation not only as a painter of portraits and children but also for the large figurative paintings of the 1930s, many of which are now in public collections. He had a one-man exhibition at the Ruskin Gallery, Birmingham in 1927, but showed his work primarily at the societies to which he regularly sent his work. He was elected an Associate of the Royal Academy in 1946 and a Royal Academician in 1956 – showing a total of 147 works there over the years. He was a member of the Royal Society of Portrait Painters, the Royal Institute of Oil Painters and the New English Art Club. Always extremely loyal to his hometown, he declared he was proud to be the only Royal Academician from Birmingham who still lived and worked there, and was particularly pleased to have been elected President of the Royal Birmingham Society of Artists (RBSA) in 1950. In 1946 Fleetwood-Walker was elected to the Royal Watercolour Society consequently fulfilling the conditions of Cornelius Varley’s will – that the next artist in his family to be a member should inherit Varley’s studio collection. After his first wife died, he married Dr Peggy Frazer in 1939 and continued to work and teach in Birmingham through to 1956. Each year he would take a group of students from Birmingham to sketch in Cornwall and was a member of the St Ives Society of Artists (1936–1949). He also went on sketching tours on the continent and exhibited at the Paris Salon winning both bronze and silver medals. He finally moved to Chelsea so that he could devote more time to the students at the Royal Academy School where he was Assistant Keeper. He died in London on 30 January 1965. In the introductory essay of the catalogue to the Memorial Exhibition held at the RBSA in 1965, Richard Seddon described his work as follows: ‘He allowed his style to develop to the full and kept moving throughout his active life as an artist; and from the drawing and painting of a conceptual clarity based on his disciplined skill with line, he progressed to a visual intensity that synthesised light, space and tactile qualities as unified images laid on the canvas with a spontaneity and breadth unsurpassed by many of his British contemporaries.’
- Creator:Bernard Fleetwood Walker (1893 - 1965, British)
- Creation Year:Circa 1925
- Dimensions:Height: 21 in (53.34 cm)Width: 25 in (63.5 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113405012
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2018
400 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Fireworks on the Thames, London - British art river night landscape oil paintingBy Laurence Henry IrvingLocated in London, GBThis superb British 1950's Post Impressionist London nocturne landscape oil painting is by noted artist Laurence Henry Irving. The scene is the Thames at night with the sky lit up wi...Category
1950s Post-Impressionist Landscape Paintings
MaterialsOil
- Rother Valley Landscape Kent - British 1950's art harvest oil paintingBy Laurence Henry IrvingLocated in London, GBThis interesting British landscape oil painting is by noted artist Laurence Henry Irving. Painted circa 1940 it is a Kent harvest landscape of the Rother Valley from Prospect Hill, W...Category
1940s Post-Impressionist Landscape Paintings
MaterialsOil
- Festivities Buckingham Palace - British 1950's figurative landscape oil paintingBy Gerald Spencer PryseLocated in London, GBThis superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, L...Category
1950s Post-Impressionist Figurative Paintings
MaterialsOil
- London St Paul's from the Thames - Impressionist 1920s landscape oil paintingLocated in London, GBThis lovely large Impressionist view of St Paul's from the Thames is by Dutch artist Jacobus Cossaar who also worked under the name Ko Cossaar. It was painted during his eight years ...Category
1920s Post-Impressionist Landscape Paintings
MaterialsOil
- River Landscape - British 1970's Post Impressionist art oil paintingBy Laurence Henry IrvingLocated in London, GBThis lovely British 1970's Post Impressionist landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1972 it is signed with his monogram lower right. The view is...Category
1970s Post-Impressionist Landscape Paintings
MaterialsOil
- Istanbul Turkey - Irish Post Impressionist landscape oil painting female artistBy Gladys NolanLocated in London, GBThis striking oil on canvas painting is by Irish artist Gladys Nolan and was painted circa 1930. This Post Impressionist view is of Istanbul, Turkey with the spires of the iconic Blu...Category
1930s Post-Impressionist Landscape Paintings
MaterialsOil
You May Also Like
- Dramatic Lake District Mountain Range Rocky View, Beautiful Colors 1950's oilLocated in Cirencester, GloucestershireArtist/ School: E.Johnson, British mid 20th century, signed and inscribed verso Title: 'Cumberland', a fine Post-Impressionist oil depicting this rugged mountain face bathed in vary...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsOil
- Large 1950's French Fauvist Oil Provencal Street Colorful Sunny HousesLocated in Cirencester, GloucestershireArtist/ School: French School, circa 1950's Title: Sunny Provencal Street Scene Medium: oil on canvas, unframed Canvas: 31.5 x 25.75 inches Provenance: private collection, France...Category
Mid-20th Century Fauvist Landscape Paintings
MaterialsOil
- 20th Century French Impressionist Oil Painting - Rocky Coastline Cote d'AzurBy Fernand AudetLocated in Cirencester, Gloucestershire"The Blue Coast" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed oil painting on board, unframed painting: 13.75 x 10.75 inches A superb 20th century oil painting b...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsOil
- Gondolas, Venetian Canal By Jane PetersonBy Jane PetersonLocated in New Orleans, LAJane Peterson 1876–1965 American Gondolas, Venetian Canal Signed “Jane Peterson” (lower right) Oil on canvas This remarkable painting, Gondolas, Venetian Canal, by the esteemed A...Category
20th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- The Garden Near Cailhau By Achille LaugéBy Achille LaugéLocated in New Orleans, LAAchille Laugé 1861-1944 French The Garden Near Cailhau Signed "A. Laugé 96" (lower left) Oil on canvas “Laugé’s art is one of great sensitivity and controlled reason; he is a mas...Category
19th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- La Terrasse Devant La Mer By Jean Pierre CassigneulLocated in New Orleans, LAJean-Pierre Cassigneul b.1935 French La terrasse devant la mer (The Terrace by the Sea) Signed “Cassigneul” (lower left) Oil on canvas laid on panel This monumental, three-panele...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil, Panel
