Borja Fernandez

Lago de los Helechos Gigantes, Portugal

By Guido Frick 18 x 18 Oil on Canvas

12" x 12" Oil on Board Masterfully executed in an impressionistic interpretation, this painting remains vivid while also omitting distracting detail. The resulting product is an idy...

Borja Fernandez (b. 1944, Spanish) Title: "Circo de Gavarnie" Medium: Oil on Canvas Dimensions: 45" x 63" Markings: Signed LR Framed

Borja Fernandez (b. 1944, Spanish) Title: "Costa Norte, Mallorca" Medium: Oil on Board Dimensions: 38.25" x 57.5" Markings: Signed LR Framed

Borja Fernandez (b. 1944, Spanish) Title: "Glacier Perito Moreno, Patagonia, Chile" Medium: Oil on Board Dimensions: 45" x 45" Markings: Signed LR Frame Option Available

Borja Fernandez (b. 1944, Spanish) Title: "Jardin De La Isla Real Sitio de Aranjuez, Madrid, Spain" Medium: Oil on Board Dimensions: 31.5" x 63" Markings: Signed LR Frame Included

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Jim’s of Lambertville is proud to offer this artwork. Signed Lower Right George W. Sotter (1879-1953) George W. Sotter is remembered for painting the scenic towns, farms, mills a...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...