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Cindy Shaoul"View of the Empire State NYC in Snow" Impressionistic Ashcan School Style 2020
2020
About the Item
An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled streets brings a sense of nostalgia. This painting goes back in time as the artist captures the style and trend of the early 20th Century with old cars parked in the distance and fashion of the people. A wonderful piece evoking an emotion bringing us into the past with this whimsical scene. This painting is signed by the artist lower left and it comes comes housed in a beautiful silver tone vintage wood frame ready to be displayed with hanging hardware on verso.
Art measures 16 x 12 inches
Frame measures 17 x 13 inches
Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide.
Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich.
Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art studio and has been painting ever since. Shaoul later traveled to Israel and Hungary, and studied abroad for 2 years at the Budai Art Institute, which created lifelong experiences that still influence her art today.
Upon her return to New York City, she continued her artistic education at the Art Students League, working under the tutelage of Joseph Peller, Gregg Kreutz, and Tom Torak, where she learned techniques from the great masters of impressionism. But it wasn’t until she met renowned street artist LA II (Angel Oritz) - who previously worked with Keith Haring - that her work would become strongly influenced by street art and graffiti, propelling her reputation and pushing her into the city’s explosive urban art scene. Shaoul and LA II worked on a collection that was an homage to New York’s streets, where Ortiz and Haring began collaborating when they first met. This style of creation heavily impacted Shaoul’s technique, expanding her voice of discovery and moving her hand, not only from impressionism, but to boundary-free expressions in the abstract world.
While Shaoul honed her skill at the Art Students League, in her studio ‘Dripping Dots’ began a whole new aesthetic. This abstract style started as she would clean her brushes and leftover paint from her pallet onto a new canvas, not to waste the leftover oils, and soon, the motion of cleaning turned into dots on the canvas. She began connecting the dots with linseed oil and this is how the motif of ‘dripping’ was imprinted. For her, it would become a freeing moment while painting abstractly after going to school and learning the impressionist technique. The experience of discovery with color and emotion in the brushwork became very cathartic, and felt familiar from the times she would collaborate with LA II.
Shaoul would continue to explore new themes in her work. In 2018 she began the ‘Brides’ series which balances her love for impressionism with an abstract hand. While exploring the purity of the feminine form and the drama of French haute couture, she would create a dialogue between the figurative and the abstract. ‘Brides’ would give a new meaning of expression to her practice, and allowed nuances to emerge, demonstrating a whimsical expression of femininity and formality adding a stunning display of awe-inspiring grandeur to her work.
Later, in 2019 she began ‘Hearts’, an extension of her love for abstraction. In this collection, she would fuse a symbol into the abstract. First, she uses a pallet knife to slather thick and rich impasto oil paint directly onto the canvas. Creating worlds of color and rich textures, an exciting new technique that she would become fixated on, allowing the flow of oils to speak for themselves while loading up the pallet knife with several different colors at once. Uncovering how the different colors would interact with one another is what motivates Shaoul in this series. The wild and exotic forms of paint would then propel her to find the colors for the heart that layer on top with a thick brush over the mesmerizing colors. The hearts are then titled after fun themes like ‘candy’, ‘ice cream’, or more spiritual statements like ‘follow your heart’, and ‘free your heart’. The hearts would become a tribute to feelings of independence, childhood memories, and moments of love that inspire and excite.
Publications (Vanity Fair, LUXE, Authority, Aspire Design & Home, among others) have written about her work. Her studio is a vibrant and exciting place that is ever-changing with art pieces, tables lined with oil paint tubes, backgrounds for hearts, and new and worked-on canvases that line the walls. In 2011 she began her journey as a singer and songwriter creating music alongside painting. She lives and works in New York.
PROVENANCE: Lilac Gallery Collection. Consigned by the gallery directly from Cindy Shaoul Studio. The artwork is accompanied by a Certificate of Authenticity issued by the artist. The piece will be stamped from Lilac Gallery on its verso.
- Creator:Cindy Shaoul (1987, American)
- Creation Year:2020
- Dimensions:Height: 17 in (43.18 cm)Width: 13 in (33.02 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting is in excellent condition and comes displayed in an original vintage frame selected by the artist that shows some ordinary wear from age, and minor imperfections in line with the period (please refer to the listing pictures for details).
- Gallery Location:New York, NY
- Reference Number:
Cindy Shaoul
Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist and formally trained. Shaoul has developed a passion for Impressionist street scenes and portraits. With a Hungarian-Persian background that comes from a lineage of artists, Shaoul has matured unique expressions with her voice and story to tell. After completing her professional education at the Emerson College in Boston, she later moved to Israel and Hungary to study culture and science while absorbing the energy of these new cities. In Budapest, she attended the Budai Art Institute from 2007–09, later returning to New York City to continue her artistic education at the Art Students League, where she worked under the tutelage of Joseph Peller, Gregg Kreutz and Thomas Torak. In 2010, she met renowned street artist LA II (Angel Ortiz), who previously worked with Keith Allen Haring in the late 1980s. LA II strongly influenced her style with the powerful impact of 1980s hip-hop and graffiti. They began collaborating on a collection of exciting street art which was later exhibited in Europe. Having built a diverse body of work since her early career ranging from portraits to colorful abstract paintings, Shaoul is constantly reinventing her style working on a range of collections from Pop Culture to City Street Scenes. Shaoul is active in New York and abroad, working diligently on expanding her technique and adding new and exciting elements to her work.
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