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David GentlemanGarden Landscapelate 20th Century
late 20th Century
About the Item
David Gentleman 1930- , is a living English artist who specialised in pen and ink pictures with a wide variety of subjects, rural and urban landscapes, illustrations, logos, murals, lithography and wood engraving. He also designed postage stamps and large murals for the London Underground. A multi talented artist whose work is sought after by many collectors of his works. This garden landscape looks to be very personal, the signature is well hidden where he usually signs in a distinguished and direct manner and consequently we think this may well be his own garden at his London House.
- Creator:David Gentleman (1930, British)
- Creation Year:late 20th Century
- Dimensions:Height: 16.5 in (41.91 cm)Width: 13 in (33.02 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:East Grinstead, GB
- Reference Number:1stDibs: LU2373213422512
David Gentleman
David Gentleman was born in London, Gentleman is the son of Tom and Winifred Gentlemen, two artists who met at the Glasgow School of Art. Following national service in the Royal Army Education Corps teaching art in Cornwall, he studied at the Royal College of Art under Edward Bawden and John Nash. After two further years at the Royal College, he became a freelance artist. Gentleman is probably best known for his paintings of buildings and landscapes, and has traveled the world bringing his distinctive touch to foreign landscapes. Gentleman’s Britain records the British landscape. He designed 103 stamps for the post office between 1962 (National Productivity Year) and 2000 (for the Millennium), and the mural for the Eleanor Cross on Charing Cross underground station platform. His work is in many collections, including the Tate Britain, the British Museum, the Victoria and Albert Museum and the Fitzwilliam Museum and he continues to work.
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- ShippingRetrieving quote...Ships From: East Grinstead, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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