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Dennis SheehanDennis Sheehan, "Glowing Hedgerow", Moody Tonalist Landscape Oil Painting 2018
2018
About the Item
This piece, "Glowing Hedgerow", by artist Dennis Sheehan is a 18x24 oil painting on canvas featuring a marshy green landscape at dusk. This moody painting shows tree line at the horizon with the setting sunlight glowing through and reflecting in the water in the foreground.
About the artist:
Dennis Sheehan's work is often described as reminiscent of the great masters of the Barbizon School, in France in the 19th century, and the American Tonalist. Born in Boston in 1950, he has works in major public and private collections, including the White House. His work has been featured in many publications including the featured cover of American Artist.
Dennis Sheehan received his training in the best traditions of the Boston School, studying at the Vesper George School of Art and the Montserrat School of Visual Art. He also studied with two of R.H. Gammell's former students, Robert Cormier and Richard Whitney. Like his great nineteenth century predecessor George Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School. Sheehan, like Inness before him, eschews picturesque scenery in the interest of evoking atmospherics. Also like Inness, Sheehan's paintings are produced in the studio from his imagination. For all of the references to history and there are multiple there is no mistaking the artist's debt to the more recent past. Without the legacy of action painting, Sheehan's art would be less forceful and evocative than it is.
Sheehan's pastoral paintings evoke the moody beauty and deep peace of nature. His goal is to have the painting emanate light, rather than just a surface that records the reflections of light the power comes from the shadows. Mysterious and breathtaking, his paintings capture the beholder and transport them into serene landscapes that have reverence for nature's poetic and changing seasons.
- Creator:Dennis Sheehan (1950, American)
- Creation Year:2018
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU1462211423222
Dennis Sheehan
Dennis Sheehan was born in Boston in 1950. He has works in major public and private collections including the White House. Sheehan paints in the Barbizon mode with adherence to his 19th century precursors. In the tradition of the tonalist* painters, Sheehan creates landscapes of mood, affected by nature's changing seasons. "Today, in a cultural firmament that has been defined as Postmodern, a new generation of American painters is returning to the old landscape seeking a renewed vision. The cultural strategies that they employ are as diverse as any from the past; in most cases, these painters consciously strive to enter into a dialogue with the history of the White Mountains art. Their work, grounded in a sophisticated appreciation of what has come before, is in many cases deliberately discursive with a tradition that has been all but erased twice by historical and cultural forces." The contemporary work of Dennis Sheehan, for example, affords a great nineteenth-century-predecessor George Inness. Like Inness, whose influence is consciously acknowledged, Sheehan employs the dark palette and thickly pigmented surfaces of the French Barbizon School*. Maintaining a muted tonalist chromatic scheme, Sheehan, like Inness before him, has temerity to eschew picturesque scenery-his Conway Meadows avoids any reference to the traditional climax view of Mount Washington—in the interest of evoking atmospherics* and the appearance of the natural world as it is observed. Optical truth combined with poetic resonance—the search for some ineffable quality of nature beyond words -constitutes the probity of his art. Yet, also like Inness, Sheehan's paintings are produced in the studio. His work is the product of the conscious distillation of prior imagery ranging from the American Barbizon to the abstractions of Franz Kline. For all of the references to history—and there are multiple—there is no mistaking the artist's debt to the more recent past. Without the legacy of action painting, Sheehan's art would be less forceful and evocative than it is." Source: Guild of Boston Artists
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