Diego Benéitez

el origen del azar

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

Diego Benéitez began his career in the world of urban art. He pursued artistic training and since 2010 has focused on painting, exhibiting widely both nationally and internationally....

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Work : Original Oil Painting, Handmade Artwork, Unique Work, ready to hang. Medium : Oil on coated Wood panel. Artist : Gabriel Riesnert Subject : à sa fenêtre (Series, Title), (EN ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Turquoise, pink and mauve are washed over a classical forested landscape in this horizonal composition by Canadian painter Peter Hoffer. The painting...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice, The Star-Ledger, Newsday, Flash Art...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...