Dylan Lloyd

Summer Garden X, original painting, floral art, colourful painting

2022

Plant Shadows Mijas is an Original Painting by Eleanor Woolley. This painting was sketched in Mijas and finished in the Studio in Gloucestershire. Walking back down from the Monaster...

Medina Sunset [2021] original and hand signed by the artist Oil on paper Image size: H:24 cm x W:32.5 cm Complete Size of Unframed Work: H:24 cm x W:32.5 cm x D:0.1cm Frame Size...

Palma Verde [2021] original and hand signed by the artist oil on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a painting from my architectural series of works. I love to paint modernist architecture and here in this painting I wanted to capture the emerald greens and turquoise blues of the building and sky against the heat and desert colours of the mountains and terrain. I like to paint palm trees cactii and flora and organic shapes and place them against the straight lines of the modern architecture. This painting is painted on a painted side thick edged canvas and is ready to hang. Discover original architectural paintings online with Wychwood Art and in our Oxfordshire art gallery by artist Karen Lynn...

Christo Sharpe has always been fascinated by the abstract shapes that divide town buildings, especially near where he lives in Andalusia. This is an example where the colours, textur...

Treeline III By Ana Bianchi [2020] Please note that insitu images are purely an indication of how a piece may look Landscape with windswept trees. Discov...

Cotswolds in Pink is an Original Painting by Eleanor Woolley. Inspiration for this Painting is taken from Autumnal walks around Winchcombe this year. Moody pink skies reflect in the ...

Tel Aviv , 2018 oil on canvas with shutter 160 x 122 cm 39 x 39 in Contemporary Israeli artist Shlomo Hauser crafts his distinctive artwork using mixe...

Brooklyn Bridge. Urban Canvas Original Art. Cityscape 69 x 46” inches Gallery stretching & wrap ARCHITECTURE ART Discover classic architectural landmarks in a fresh and exciting way...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

Landscape painting, evening road scene titled "Long Pond Road Again" by Edie Nadelhaft - oil on canvas, 12 x 16 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...