Edward Pullee

Hope Cove - Mid 20th Century Devon England Coastal Landscape Oil Painting

A beautiful mid 20th century French naif oil on canvas depicting two men fishing on a river by André Bouquet. The artist is featured in Anatole Jakovsky's ''Peintres Naifs'' which is known as the bible of 20th century naif painters. The work is signed lower left and presented in it's original gallery frame. Artist: André Bouquet (French, 1897-1987) Title: Fishermen on a River Medium: Oil on canvas Size: 16.5 x 19.5 inches (42 x 50 cm) including the frame André Bouquet was a butcher by trade, who had his stall in open air markets. In order to have more time to paint, however, he became a factory cook and later a foreman in the same factory. He lived only for his painting, which once he stopped working he did every day of the week, including Sundays. He is a sensitive and delicate artist, especially when depicting Parisian suburbs, of which he has caught the atmosphere remarkably. He also painted numerous snow landscapes. Source: Anatole Jakovsky - Peintres Naifs - Paris 1956

A beautiful 1925 post-impressionist oil on canvas depicting the banks of the river Seine in Paris, by Georges Pacouil. Excellent quality early work by this interesting French artist....

A wonderful 20th century French oil on board landscape with palm trees, probably on the Côte d'Azur, by Georges Pacouil. Signed lower left and presented in a gilt frame. Artist: Geo...

This charming oil on board by Lord Paul Ayshford Methuen RA depicts the Hotel d'Aligre at 30 Rue Damiette, Rouen in Normandy, France. The building, which is a 16th century mansion in the centre of the city, still exists today. The painting shows the back wing of the building with the access porch to the main courtyard. Please see final image for a present day view with the addition of windows in the roof. The work was most likely painted during or just after WW2, when Methuen was serving as a captain in the British Army. He wrote a book ''Normandy Diary'' recounting his experiences with the Procurement and Fine Art branch, which was set up to protect works of art during the invasion of the continent. A finely painted and atmospheric work which clearly shows the influence of Methuen's one time teacher Walter Sickert. Signed on the reverse and presented in a beautiful gilt frame. Artist: Lord Paul Ayshford Methuen RA (English, 1886-1974) Title: Hotel d'Aligre, Rouen Medium: Oil on board Size: 22 x 16.5 inches (56 x 42 cm) including the frame Lord Methuen (Paul Ayshford Methuen, 4th Baron), RA, RWS, PRWA (1886-1974) was a well known painter in oil, watercolour and pastel of landscapes, town scenes and figures subjects. Born at Corsham in Wiltshire he studied art under Sir Charles Holmes and later under Walter Sickert. He had his first one man show at the Warren Gallery in 1928 and later had several shows with The Leicester Galleries and Colnaghi's. He exhibited extensively at the major galleries, and was elected an Associate of the Royal Academy 1951, full RA 1959, member of the Royal Watercolour Society 1952, Royal Society of British Artists 1939, New English Art Club 1943, and President of the Royal West of England Academy. His work is represented in a number of major collections, including the Tate Gallery (five examples), the Victoria & Albert Museum, and several collections in the provinces. He lived in London and at the family home at Corsham Court in Wiltshire, where he established an influential art school in 1946. Further information The Hôtel d'Aligre is a private mansion located in Rouen , France. The first body of building on this location was called the Hôtel des Presses or Hôtel des Étuves , owned by the wealthy Dufour manufacturing family. Mentioned for the first time in 1446, it was rebuilt in the second half of the 16th century by Guillaume de Fieu. Guillaume Le Fieu (November 9, 1584) was treasurer-secretary to Catherine de Medici then receiver general of the Generality of Rouen and finally ordinary master of the Chamber of Accounts of Normandy. His daughter Marie married Pierre de Couldray, sieur de Féville, king's secretary. It was in this hotel that resided at the end of the 16th century Lord Clarendon, minister in exile of the King of England. The property then became the possession of the Dambrays, Sieurs de Montigny, then in 1729 to the Godefroy de Senneville...

A beautiful large 1950's French expressionist oil on canvas depicting locals taking an afternoon stroll, by Paris painter André Beaucé. Excellent quality ...

A beautiful signed and dated 1966 cubist oil on board depicting the sun setting over a Spanish landscape, by Francisco Ramos. Excellent quality work wi...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

From the Roma Series. Photo-realistically painted folds and creases based upon unravelling discarded paper that contained the artists initial thoughts.

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...