Eric Hesketh Hubbard

Hampshire Landscape 20th Century Oil Original Railway Artwork

Oil on board Image size: 12 1/2 x 15 1/2 inches (31.75 x 40 cm) Contemporary style handmade frame Exhibitions 1952 Royal Academy of Arts Exhibition, Gallery no. VII, no.429. This forest scene invites the viewer into a multi-sensory event where the cool, damp shadows of the foliage can almost be felt and the rich bouquet of the forest floor recalled. Here, Sherlock has chosen a somewhat unusual angle and composition, dissecting each truck and tree form so that only a part can be seen. Furthermore, as we look into the depths of this space it becomes clear that we are stood gazing down into a valley that is in the distance, behind this wooded area. Indeed, instead of giving us an uninterrupted view of this vista, as perhaps would be expected, this view is deliberately blocked and our focus is directed instead towards the organic forms in the foreground. The Artist  Marjorie Sherlock was born at Fir Tree Cottage, George Lane, Wanstead, Essex, on 3 February 1891, the elder child of the civil engineer, Henry Sherlock, and his wife, Alice (née Platts), who was born in Benares, India. By 1901, the family was living at ‘The Limes’, 121 Mill Road, Cambridge, and Marjorie received an education locally. In 1918, she entered into marriage with her cousin, Major Wilfrid Barrett, though this proved unsuccessful and they later divorced (he remarrying in 1941). She then continued to live at the family home until the Second World War. During the First World War, Marjorie Sherlock studied at Westminster Technical Institute under the Camden Town School painters, Walter Sickert and Harold Gilman. She exhibited at the Royal Academy of Arts from 1917, when she showed a powerful view of the interior of Liverpool Street Station (Government Art Collection) (to which the current etching [202] relates). In time, she would exhibit at the International Society, the New English Art Club, the Royal Society of British Artists, the Society of 207 Graphic Art and the Women’s International Art Club (becoming a member of the last two). She also showed work internationally. Developing as a printmaker as well as a painter, Sherlock studied etching under Malcolm Osborne at the Royal College of Art in 1925. She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian Etchings’ (1932). During this period, she also visited the united States. More admiring of Continental painters than British ones, she furthered her studies, in 1938, by working in Paris under André L’Hôte and André Dunoyer de Segonzac. During the Second World War, Sherlock moved to East Devon and settled at Oxenways, a Victorian hunting lodge...

Oil on canvas board, signed lower left 'McKnight' Image size: 19 ½ x 14 ½ inches (49.5 x 37 cm) Contemporary frame Looking from the bridge we peer down the Notting Hill Gate Train S...

Oil on canvas, signed lower left Image size: 23 1/4 x 23 1/2 inches (59 x 60 cm) Hand made contemporary style frame This exciting newly discovered work by Guthrie is quite a rarity....

Jeremy Andrews Born 1974 Dorset Landscape Oil on canvas, signed Image size: 20 x 20 inches Framed Jeremy Andrews works in oils and uses traditional techniques such as under pai...

Jeremy Andrews Born 1974 A Field in Winter Oil on canvas, signed and dated lower right Image size: 16 x 12 inches Jeremy Andrews works in oils and uses traditional techniques suc...

E. Bataille 1817 - 1882 Duck Hunting Oil on canvas Image size: 9½ x 12 inches, signed bottom right and verso Original frame

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...

William Turner Gallery is proud to present a small solo exhibition of paintings by artist Lawrence Gipe called “Recent Pictures,” which draws fr...