G. HarveyCreek in Autumn1966
1966
About the Item
- Creator:G. Harvey (American)
- Creation Year:1966
- Dimensions:Height: 24 in (60.96 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Austin, TX
- Reference Number:Seller: EH-237071stDibs: LU1171211260842
G. Harvey
Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by Harvey and became the genesis of his art. Known for paintings closely linked in mood and subject matter to Edouard Cortes, G Harvey created romanticized street scenes of the turn of the century towns in America. Rain slick streets reflect urban lights, and the weather, which was obviously cold. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earlier work. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities and the streets of Dallas, which once echoed with the sound of horses hooves and the jingle of spurs. Historic photographs reveal what it looked like, but artists like Harvey can enable a viewer to experience the mood and flavor or the time. In his paintings, the viewer only sees the physical elements of his subject but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master.
Harvey painted the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leaders and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of many awards and the subject of three books. Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. Before his death, Harvey lived in Fredericksburg, Texas, with his wife Pat in a 150-year old stone home built by German settlers. His studio and residence were nestled within the Historic District of Fredericksburg.
- ShippingRetrieving quote...Ships From: Austin, TX
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Eagle FallsBy Milbie BengeLocated in Austin, TXA majestic mountain landscape with a snow-capped peak rising high into the clouds of a blue sky. The mid ground features a stately, purple mountain ridge, a dense pine forest, and a thundering white...Category
2010s American Realist Landscape Paintings
MaterialsOil, Canvas
- "Lakeside in Autumn"By A.D. GreerLocated in Austin, TXBy Texas artist A.D. Greer This Autumn landscape depicts a peaceful lake in the morning. A large tree with orange leaves towers in the foreground and hazy, blue and pink mountains gl...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- "Fall Landscape"By Hugo HerbeckLocated in Austin, TXBy Hugo Herbeck (1923-2009) This landscape by Hugo Herbeck captures the atmosphere of autumn in the Central Texas Hillcountry. A road in the foreground with a barbed wire fence exten...Category
20th Century American Realist Landscape Paintings
MaterialsOil, Canvas
- "River Landscape" Fall Texas Hill Country LandscapeBy Porfirio SalinasLocated in Austin, TXA Texas landscape with on a rocky riverbank during the fall. Orange leaves speckle the hillside amongst the evergreen juniper trees. Porfirio Salinas 20" x 24" Oil on Canvas Frame s...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Texas Hill Country Landscape with Argemone, Coreopsis, and Flowering Cactus"By Don WarrenLocated in Austin, TXA breathtaking Texas Hill Country landscape painted by American Plain Air painter, Don Warren. The painting is executed in oil on canvas and measures 18 by 24 inches. It is beautifully framed and ready to hang in a gold leaf frame that measures 25 by 31 inches. The scene depicts a clear, idyllic summer day along trail through pastoral lands. A meadow of yellow coreopsis and white argemones make up the foreground, framing the focal point: prickly pair...Category
Mid-20th Century American Realist Landscape Paintings
MaterialsOil, Canvas
- Untitled Landscape Hillcountry BluebonnetsBy Manuel GarzaLocated in Austin, TXManuel Garza (b. 1940) Local Texas Landscape Artist Title: Untitled Landscape, Hillcountry Bluebonnets Medium: Oil on Panel Size: Canvas 16" x 20" Framed 20.5" x 24.5" Fram...Category
Late 20th Century American Realist Landscape Paintings
MaterialsOil, Canvas
- "Snow Squals, Parmelee Farm"By Peter PoskasLocated in Lambertville, NJSigned Lower Left Poskas was born in Waterbury, Connecticut, a small industrial city set on the banks of the Naugatuck River. He was interested in art as a child, but on entering ...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Strawberries Strewn on a Forest FloorBy William Mason BrownLocated in New York, NYWilliam Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Copley Square, BostonBy Thomas FransioliLocated in New York, NYThomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- New York from HobokenBy William Rickarby MillerLocated in New York, NYSigned (at lower left): W.R. Miller/ 1851Category
Mid-19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Saint-Malo, BrittanyBy William Stanley HaseltineLocated in New York, NYThe career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Marina Grande, CapriBy Charles Temple DixLocated in New York, NYCharles Temple Dix was born in Albany, New York, the youngest son of the distinguished statesman and soldier, General John Adams Dix. Having already visited Europe as a child, Dix re...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil