Items Similar to Le Mouillage À Grandcamp By Georges Seurat
Want more images or videos?
Request additional images or videos from the seller
Georges SeuratLe Mouillage À Grandcamp By Georges SeuratCirca 1885
Circa 1885
About the Item
Georges Seurat
1859-1891 | French
Le mouillage à Grandcamp
Oil on panel
Entitled Le mouillage à Grandcamp, this exceptional oil on panel was painted by Georges Seurat at a pivotal moment in both his artistic development and in art history. Hailing from the earliest stages of the Neo-Impressionist movement, the colorful and avant-garde seascape is a testament to the utter freedom of creativity the artist enjoyed at this important point in his career.
Now known as Pointillism, Seurat’s revolutionary technique was based on the theory of optical mixture by the division of tones. While spending the summer of 1885 in Grandcamp, a small fishing village in Normandy, Seurat embarked on a series of marine paintings, including this magnificent work, that fully expressed his new theories on light, color, perception and optics. It was through these small works that he perfected Pointillism. Though Seurat’s belief he could scientifically apply complementary colors to create harmony and emotion in art was highly controversial at the time, it is regarded today as one of the most innovative movements in the history of art.
Le mouillage à Grandcamp is an exceptional illustration of this burgeoning movement, depicting a sea of mosaic-like blue, green and yellow brushstrokes. The distant buildings are secondary to the overall painterly effect, appearing to fade into the line of the horizon. Seurat often allowed the warm brown tone of his panels to show through as background color, and here the sand lends the work a deep compositional unity. The overcast sky is brought to life by a profusion of light, one of Seurat’s virtuosic abilities, and the electric sea appears smoldering with light.
Seurat’s sojourn in Grandcamp was the turning point in his style. Coveted by collectors and connoisseurs alike, Seurat's important 1885 Normandy coast scenes have been collected by numerous important museums, including New York's Museum of Modern Art, London's Tate and the National Gallery of Australia in Canberra. So refreshed by the trip, when Seurat returned to Paris following his travels, he once again turned to his composition A Sunday Afternoon on La Grande Jatte. This time he applied the techniques he had developed in Grandcamp, and the result was art history’s greatest Pointillist masterpiece.
Le mouillage à Grandcamp has been widely exhibited and published in literature, including H. Dorra et J. Rewald’s 1959 catalogue raisonné, Seurat, L'œuvre peint, Biographie et catalogue critique, page 169.
Circa 1885
Panel: 6 1/4" high x 9 7/8" wide
Frame: 15 1/4" high x 18 5/8" wide x 2 3/8" deep
Provenance:
Artist’s studio
Emile Seurat, Paris
Félix Fénéon, Paris
Alfred Vallotton, Paris
Léon Marseille, Paris
Georges Lévy, Paris
Private collection, New York
Sale, Parke-Bernet, New York, 6 February 1947, lot 63
Antoine Salomon, Paris
Huguette Bérès, Paris
Private collection
M.S. Rau, New Orleans
Exhibitions: Paris, La Revue blanche, Georges Seurat, Œuvres peintes et dessinées, March-April 1900, no. 18
Paris, Grandes Serres de la Ville de Paris, XXIe Salon des Artistes Indépendants, March-April 1905, p. 14, no. 15
Paris, Galerie Bernheim-Jeune, Rétrospective Georges Seurat, December 1908-janvier 1909, no. 52
Paris, Galerie Bernheim-Jeune, Georges Seurat, January 1920, no. 17
Paris, Galerie Paul Rosenberg, Seurat, February 1936, no. 43
Paris, Galeries Nationales du Grand Palais, Seurat, April-August 1991, p. 277, no. 158
Literature:
G. Coquiot, Seurat, Paris, 1924, p. 119
H. Dorra et J. Rewald, Seurat, L'œuvre peint, Biographie et catalogue critique, Paris, 1959, p. 169, no. 142 (illustrated)
C. M. de Hauke, Seurat et son œuvre, Paris, 1961, vol. I, p. 98, no. 146 (illustrated, p. 99)
F. Minervino, Tout l’œuvre peint de Seurat, Paris, 1973, p. 103, no. 146 (illustrated, p. 102)
- Creator:Georges Seurat
- Creation Year:Circa 1885
- Dimensions:Height: 15.25 in (38.74 cm)Width: 18.63 in (47.33 cm)Depth: 2.38 in (6.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1912
1stDibs seller since 2013
14 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- La Terrasse Devant La Mer By Jean Pierre CassigneulLocated in New Orleans, LAJean-Pierre Cassigneul b.1935 French La terrasse devant la mer (The Terrace by the Sea) Signed “Cassigneul” (lower left) Oil on canvas laid on panel This monumental, three-panele...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil, Panel
- Gondolas, Venetian Canal By Jane PetersonBy Jane PetersonLocated in New Orleans, LAJane Peterson 1876–1965 American Gondolas, Venetian Canal Signed “Jane Peterson” (lower right) Oil on canvas This remarkable painting, Gondolas, Venetian Canal, by the esteemed A...Category
20th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- The Garden Near Cailhau By Achille LaugéBy Achille LaugéLocated in New Orleans, LAAchille Laugé 1861-1944 French The Garden Near Cailhau Signed "A. Laugé 96" (lower left) Oil on canvas “Laugé’s art is one of great sensitivity and controlled reason; he is a mas...Category
19th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Almond Trees in SpringBy Achille LaugéLocated in New Orleans, LAThis Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...Category
20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- Monastery Complex With Statue Of Maria By Rubaldo MerelloLocated in New Orleans, LARubaldo Merello 1872 - 1922 | Italian Monastery Complex with Statue of Maria Signed “Merello R.“ (lower right) Oil on canvas Rubaldo Merello was a prolific turn-of-the-century art...Category
Late 19th Century Post-Impressionist Landscape Paintings
MaterialsOil, Canvas
- Paysage Montagneux By Paul GauguinBy Paul GauguinLocated in New Orleans, LAPaul Gauguin 1848-1903 French Paysage montagneux Signed “P. Gauguin 1882” (lower right) Oil on canvas Paul Gauguin revolutionized the art world by transcending the naturalism t...Category
19th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- Smoky Valley Farm, Lindsborg Kansas 1949 Oil on Panel Hay Shocks Farmhouse TreesBy Birger SandzenLocated in Rancho Santa Fe, CAA wonderful 1949 oil painting on panel by Birger Sandźen depicting a farmhouse in a Lindsborg, Kansas landscape with hay shocks, trees and clouds. Cori North of the Birger Sandzén M...Category
1940s Post-Impressionist Landscape Paintings
MaterialsOil, Panel
- An Evening Walk - Post Impressionist Oil, Figures at Night by Henri Le SidanerBy Henri Le SidanerLocated in Marlow, BuckinghamshireSigned post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...Category
1910s Post-Impressionist Figurative Paintings
MaterialsPanel, Oil
- Orientalist Post Impressionist Garden Landscape, The Agave.Located in Cotignac, FROil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine custom carved wood, gesso, silver leaf and patinated frame. A charming painting of an iconic plant, the thick tendril leaves reaching out from the centre ground surrounded by the ancient oaks and olive tress in the landscape. Bernard has used browns and ochres for the ground surrounding the plant and trees which gives the painting almost an abstract quality. His use of material gives a vivacity to the composition and texture to the surface of the painting. A wonderful addition to any collection or interior. Louis Michel Bernard (1885–1962) was a French artist who primarily focused on landscapes, and he gained recognition as an Orientalist painter...Category
Mid-20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Wood Panel
- "Bridge in Blue"By Francis LivingstonLocated in Scottsdale, AZWith a love for nostalgia, Francis Livingston paints places which may no longer exist or that have lost their luster. His bold and impressionistic paintings take the viewer back in t...Category
2010s Post-Impressionist Landscape Paintings
MaterialsOil, Wood Panel
- British 20 Century beach scene of St. Michael's Mount, Cornwall by Paul StephensLocated in Petworth, West SussexPaul Stephens (British, b.1957) Seaside - St. Michael's Mount Cornwall Oil on panel Signed `P Stephens’ (lower left) 23.5/8 x 23.5/8 in. (60 x 60 cm.)Category
20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Panel
- Jean-Baptiste Olive, French Post-Impressionist summer seascape oil paintingBy Jean-Baptiste OliveLocated in Petworth, West SussexJean Baptiste Olive (French, 1848 - 1936) A figure on the beach Oil on canvas Signed 'B. Olive' lower right Measurements in frame: 19 x 22.75 in. This stunning impressionist painting by Jean Baptiste Olive highlights the mediterranean light bleaching the white sands and the azure sea or the South of France. The little figure is captured as a dab of colour against the coastal rock jutting out or the sand. The light blue of the sky is cleverly reflected in the blue / grey shadows of the cliffs and rocks juxtaposing the yellows, reds and whites of the sand and clouds. This painting gets only better and better close up as the impressionist palette and composition comes alive to the eye. We cannot commend this painting and this artist more highly and we are always on the hunt for more of Olive's works. The son of a wine merchant born in Marseille, Olive was encouraged to study at the Ecole des Beaux-Arts in the same town under the guidance of Joanny Rave. After achieving first prize in 1871 as a student for live model drawing he painted many scenes of Marseilles and the surrounding sea shore. He took on many commissions particularly in Paris to decorate frescoes notably Cirque d'Hiver and Basilica of the Sacre Coeur. He exhibited repeatedly at the salon. Today 2 paintings created for the golden room at Le Train Bleu...Category
Early 20th Century Post-Impressionist Landscape Paintings
MaterialsOil, Panel