Henri Duhem

Belandre au Soleil - Matin de Givre - Impressionist Oil, Landscape by H Duhem

1900

Signed impressionist oil on canvas cityscape circa 1960 by French painter Edouard Leon Cortes. The work depicts figures in the flower market at the Place de la Madeleine in Paris, Fr...

Signed, titled and dated impressionist landscape oil on canvas by French painter Henri Duhem. The work depicts a barge moored on the side of the river with two men on the path on the riverbank. The sun is setting creating the most beautiful shades of pink and yellow in the sky which is reflecting in the water below. Signature: Signed lower right and titled and dated 1933 verso Dimensions: Unframed: 15"x18" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Exhibited at the Salon des Tuileries - 1933 Private French collection Descendant of an old Flemish family, Henri Duhem was born in Douai on April 7, 1860. He worked as a lawyer at the Bar of the Court of Douai from 1883, he practiced at the same time his passion for drawing and watercolor. In 1887, he enrolled in Henri Harpignies' drawing course in Paris and, at the same time, befriended the painter Émile Breton...

Oil on canvas circa 1910. Signed lower left. This painting is not currently framed but a suitable frame can be sourced in if required. Descendant of an old Flemish family, Henri Duh...

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

Signed impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. The work depicts barges moored on the b...

Signed and dated pointillist landscape oil on canvas by Belgian impressionist painter Willy Schlobach. The piece depicts a coastal view looking out over the dark green sea to where it meets the powder blue sky on the distant horizon, with rock formations on either side. This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Signature: Signed lower right and dated 1907 Dimensions: Framed: 29"x33" Unframed: 20"x24" Provenance: Private French collection Further information: This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Willy Schlobach first studied at the Academy in Brussels and then later in Ghent. At the precocious age of nineteen he was already at the forefront of painters in Belgium numbering among his close friends Emile Verhaeren and Theo van Rysselberghe whose instructive influence on him was of great significance. He was one of the founding members of the group 'Les XX' who were broadly speaking avant-garde and influenced by the Parisian developments in painting but by no means uniform in their style or approach (see also have lots 201 and 233). Octave Maus, a lawyer and critic was the driving force behind 'Les XX' but the most important painter was Theo van Rysselberghe. Van Rysselberghe had lived and worked in Paris and brought to Belgium an intimate knowledge and understanding of the Neo-Impressionist techniques of Seurat and Signac which were to be a great influence on the younger generation of Belgian painters such as Willy Finch and Willy Schlobach. In the late 1880s Schlobach responded with enthusiasm to these new ideas emanating from Paris and produced some well structured and highly organised pointillist work in which his favoured subject matter was coastal scenes. Schlobach was also influenced by the other main group within 'Les XX' which was best represented by Fernand Khnopff. As well as working in a pointillist manner he produced paintings full of symbolism and reminiscent of the Pre-Raphaelites whose work he had studied and admired on visits to England. It is, however, in the neo-impressionist or luminist work that Schlobach found greater freedom of expression away from the sometimes claustrophobic subject matter of the symbolists. On his visits to London Schlobach had been influenced not only by the Pre-Raphaelite painters but also by the work of Turner whose atmospheric and misty paintings...

This beautiful early 20th-century oil painting by British artist Arthur Ellis (1856-1918) depicts children in a cornfield before a distant view of the sea. Ellis was first and forem...

The Garden Terrace by Paul Flaubert (French, 1928-1994) signed oil on canvas, unframed canvas: 18 x 21.5 inches provenance: private collection, France condition: very good and sound ...

Outstanding Impressionist sketch of a Morning sunrise over the Grand Canal, Venice, Italy Charles Bertie Hall painted scenes all over England, Eu...

Outstanding American Impressionist sketch of Sun Set in Aspen Colorado Charles Bertie Hall painted scenes all over England, Europe, and America i...

French Impressionist painter, early 1900’s oil painting on canvas, unframed painting: 10 x 13 inches provenance: private collection, France condition: overall very good, minor losse...

Oil Painting of a beautiful Irish Countryside Scene with Down Cathedral in the distance, Northern Ireland Art measures 12 x 16 inches Frame measure ...