Henri Pailler

Henri Pailler, French Impressionist river landscape

1903

A super example of Harry Fidler's impressionist studies with characteristic use of heavy impasto. The flamboyant sculpting of the paint surface cannot be fully conveyed in a 2D image...

Wynford Dewhurst (1864-1941) Sunny pastures / A bit of Norman landscape, signed , "Wynford Dewhurst RBA"; further inscribed with title and signed to original label on the reverse, "...

Dewhurst painted several paintings of the park surrounding the palace of Versailles. In this example, the dramatic foliage of the trees and avenue of summer blooms lead the eye to a ...

A beautifully illuminated scene depicting figures before the Pont Marie, Paris, painted in June 1903. Henri Pailler (1876-1954) Figures before the Pont Marie, Paris, signed and dat...

A very atmospheric impressionistic painting of a horse and cart on a woodland track. The artist has very skillfully captured the dappled light of the forest as it picks out the movem...

An idyllic scene on an impressive scale of sheep grazing in Constable country. Algernon Mayow Talmage (1871-1939) ​Sheep grazing in a summer landscape Signed and dated 1927 Oil on c...

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

signed lower right