Items Similar to The Thames nr Runnymeade - 19th Century Exhibition Oil Painting River Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Henry DawsonThe Thames nr Runnymeade - 19th Century Exhibition Oil Painting River Landscape1863
1863
About the Item
‘The Thames near Runnymede’ by Henry Dawson R.B.A. (1811-1878).
The painting – which depicts an angler fishing on the riverbank under a spectacular evening sunset – is signed by the artist and dated 1863.
Although a student of James Baker Pyne (1800-1870), the majority of Henry Dawson’s art instruction came from studying the landscapes of J.M.W. Turner (1775-1851). Dawson’s fine draftsmanship and colouring earned him a considerable reputation among many influential British artists before he ever exhibited at the major London galleries. Between 1838 and 1875 Henry Dawson exhibited at the Royal Academy, the British Institution, and the Royal Society of British Artists, to which he was elected a full member in 1875. During this period, his fame earnt him the patronage of two of the most important art collectors of Victorian Britain; James Orrock and John Burton, owners of numerous paintings by J.M.W. Turner. Following the death of the latter in 1851, John Burton told Henry Dawson that his “powers are not equalled by any living or working man."
In 2000 Dawson's 1857 painting of a sunset over ‘The New Houses of Parliament, Westminster’ sold at Phillips in London for £185,000. Today, works by Dawson feature in the collections of the Walker Gallery in Liverpool and the Victoria and Albert Museum in London.
Academy Fine Paintings only offers artwork for sale in the finest condition it can be for its age, having been professionally cleaned, conserved, and re-varnished. Clients should also note that tracked and signed for international shipping is complimentary.
Dimensions: (framed) 70cm x 94cm (27½” x 37”)
Dimensions: (canvas only) 51cm x 76cm (20” x 30”)
Medium: Oil on mahogany panel.
Provenance: Private UK collection.
Literature: ‘The Life of Henry Dawson, Landscape Painter’ (1891) by Alfred Dawson.
Presentation: Fine quality gold metal leaf frame.
Condition: Very good. Professionally cleaned, restored, and re-varnished. Ready to hang.
- Creator:Henry Dawson (1811 - 1878, British)
- Creation Year:1863
- Dimensions:Height: 27 in (68.58 cm)Width: 37 in (93.98 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Gerrards Cross, GB
- Reference Number:1stDibs: LU741314202282
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2012
1stDibs seller since 2017
135 sales on 1stDibs
Typical response time: 5 hours
Associations
LAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' Associations
- ShippingRetrieving quote...Ships From: Gerrards Cross, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Arrest of Louis XVI & Marie Antoinette at Varennes - 19th Century Oil PaintingBy Robert Alexander HillingfordLocated in Gerrards Cross, GB‘The Arrest of Louis XVI and Marie Antoinette at Varennes’ by Robert Alexander Hillingford (1828-1904). The painting – which depicts the King and Queen of France’s failed attempt to...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil
- A Day in the County - Large 19th Century Royal Academy Landscape Oil PaintingLocated in Gerrards Cross, GB‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...Category
1850s Victorian Landscape Paintings
MaterialsOil
- Carnevale di Venezia - Large 19th Century Oil Painting of Venice Carnival ItalyBy James HollandLocated in Gerrards Cross, GB‘Carnevale di Venezia’ by James Holland RWS (1799-1870). The painting – which depicts an extensive view of the Grand Canal with hundreds of masked revellers before the Ducal Palace ...Category
Mid-19th Century Victorian Landscape Paintings
MaterialsOil
- Carnevale di Venezia - Large 19th Century Oil Painting of Venice Italy CanalettoBy James HollandLocated in Gerrards Cross, GB‘Carnevale di Venezia’ by James Holland RWS (1799-1870). The painting – which depicts an extensive view of the Grand Canal with hundreds of masked revellers before the Ducal Palace ...Category
Mid-19th Century Victorian Landscape Paintings
MaterialsOil
- Mount Snowdon - 19th Century Royal Academy Oil Painting Welsh Mountain LandscapeBy Edward Charles WilliamsLocated in Gerrards Cross, GB‘Llyn Gwynant and Mount Snowdon’ by Edward Charles Williams (1807-1881). The painting – which depicts figures seated on the lake shore before the iconic Mount Snowdon (Yr Wyddfa) i...Category
1860s Victorian Landscape Paintings
MaterialsOil
- Before Glyder Fawr - Large 19th Century Welsh Mountain Landscape Oil PaintingBy John SyerLocated in Gerrards Cross, GB‘Before Glyder Fawr’ by John Syer RBA RI (1815-1885). The painting – which depicts the famous Welsh mountain in Snowdonia – is signed by the artist and dated 1876. Academy Fine P...Category
1870s Victorian Landscape Paintings
MaterialsOil
You May Also Like
- Victorian landscape painting of Scottish fishing boats moored in a bayLocated in Harkstead, GBA very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century seascape oil painting of Penzance harbour, CornwallBy William Edward WebbLocated in Moreton-In-Marsh, GloucestershireWilliam Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century genre landscape oil painting of three boys fishing on a riverBy William BromleyLocated in Moreton-In-Marsh, GloucestershireWilliam Bromley British, (1816-1890) Gone Fishing Oil on canvas, signed Image size: 13.5 inches x 17.5 inches Size including frame: 18.75 inches x 22.75 inches A picturesque genr...Category
19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- 19th Century genre landscape oil painting of two Italian women near a vineyardLocated in Moreton-In-Marsh, GloucestershireKarel Frans Philippeau Dutch, (1825-1897) Home from the Vineyard Oil on panel, signed & dated 1867 with old label verso Image size: 11.25 inche...Category
19th Century Victorian Figurative Paintings
MaterialsOil, Panel
- 19th Century historical genre oil painting of English civil war soldiersBy Ernest CroftsLocated in Moreton-In-Marsh, GloucestershireErnest Crofts British, (1847-1911) On the March Oil on canvas, signed Image size: 8.5 inches x 12.5 inches Size including frame: 17 inches x 21 inches A wonderful historical painti...Category
19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Early 20th Century Worcestershire landscape oil painting of a plough teamBy David Bates b.1840Located in Moreton-In-Marsh, GloucestershireDavid Bates British, (1840-1921) The Plough Team, Bredon’s Norton Oil on canvas, signed & dated 1908, further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inches x 29.5 inches A lovely landscape painting of a plough team on a country track near Bredon’s Norton by David Bates. Bredon’s Norton is a village located in the Cotswolds, on the slopes of Bredon Hill in South Worcestershire. The America women’s rights activist Victoria Woodhull Martin moved to the village in 1901 and by 1908 had set up an agricultural school for women at her Norton’s Park estate. The Antarctic explore Raymond Priestley also lived there. Although Bates was living in Surrey at the time of this painting, he would have been familiar with the area after having lived and worked in Worcestershire for some considerable time. He would have also most likely been aware of Victoria Woodhull Martin and the school. David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas