Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 19

Henry H. Parker
19th Century pair of river landscape oil paintings with cattle

C1900

About the Item

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17.5 INCHES X 23.5 INCHES** Henry H Parker British, (1858-1930) The River Wey near Ripley, Surrey & At Culham on Thames Oil on canvas, pair, both signed & inscribed verso Image size: 11.5 inches x 17.5 inches (each) Size including frame: 17.5 inches x 23.5 inches (each) A lovely pair of verdant river landscape paintings featuring cattle watering by Henry H Parker. The first painting is of a stretch of the river Wey near Ripley in Surrey. The second shows a view of the river Thames at Culham in Oxfordshire. Both the Thames Valley and Surrey were areas the artist returned to often to paint. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon Hillier (or Hillyer) Parker. His parents were Thomas, a draughtsman and lithographer and Lucy Parker. The family lived in Gillies Street, St Pancras. He studied at the St Martin’s School of Art and initially started his working life as an Illustrator for the Illustrated London News. However, by the age of 23 he had become known as a landscape painter. He married Charlotte Eliza Wilson in June, 1888 and together they had six children. His son Frederick became a draughtsman. He spent most of his adult life in Tottenham living at Elmer Road and later 13 Somerset Road. He died in London on 12 June, 1930. Parker mainly painted rustic views of the South East of England, in Surrey, Sussex and Kent as well as views of the Thames. He also painted in Worcestershire and Wales. As well as signing his paintings Henry H Parker, he also painted under the pseudonyms of H D Hillier and possibly HD Hillyer. It is believed he used a pseudonym because of contractual obligations to a London gallery. In addition to being known as Henry Hillier Parker, he is also sometimes referred to as Henry Hillingford Parker. His style, with its quick and impressionistic brush strokes has often been compared to B. W. Leader. Like many of his contemporaries, he concentrated on painting "pure" landscapes, a genre that he mastered early in his career. His landscapes are lush and tranquil, frequently featuring figures in a cornfield, on a boat or walking down a country path. The scenes are often sunny and bright and the waters are calm and soothing. Parker is one of the few top calibre artists who does not appear to have exhibited in England, although his works appear frequently on the market and are as popular today as they were in his lifetime. Examples of his work are held by the Hartlepool Museum, Haworth Art Gallery, Middlesbrough Institute of Modern Art, University of Oxford and the Williamson Art Gallery. A number of Museums and art galleries across the world also have his paintings on display including St. James’s Museum, Montreal, Auckland Museum and the Melbourne Gallery. Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition. Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Henry H. Parker (1858 - 1930, British)
  • Creation Year:
    C1900
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 23.5 in (59.69 cm)Depth: 2.5 in (6.35 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Moreton-In-Marsh, GB
  • Reference Number:
    1stDibs: LU156213615072
More From This SellerView All
  • 19th Century landscape oil painting of sheep grazing on a clifftop
    By Charles Jones (b.1836)
    Located in Moreton-In-Marsh, Gloucestershire
    Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century landscape oil painting of cattle
    By Thomas Baker of Leamington
    Located in Moreton-In-Marsh, Gloucestershire
    Thomas Baker British, (1809-1864) Cows with a Willow Tree Oil on canvas, signed & dated 1860 Image size: 14 inches x 11.75 inches Size including frame: 20.5 inches x 18.25 inches P...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • 19th Century landscape genre oil painting of farmworkers with horses & a dog
    By George Cole
    Located in Moreton-In-Marsh, Gloucestershire
    George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century Scottish Highland landscape oil painting of Loch Lubnaig
    By Alfred de Breanski Sr.
    Located in Moreton-In-Marsh, Gloucestershire
    Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 32.25 inch...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • 19th Century landscape oil painting of the river Lledr near Bettws-y-coed
    By Henry H. Parker
    Located in Moreton-In-Marsh, Gloucestershire
    Henry H Parker British, (1858-1930) The River Lledr, Bettws-y-coed Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inc...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • 19th Century Scottish landscape oil painting of Highland sheep at Glen Coe
    By William Watson
    Located in Moreton-In-Marsh, Gloucestershire
    William Watson Jnr British, (1847-1921) Morning, Head of Glen Coe Oil on canvas, signed & dated 1897, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 19.75 inches x 25.75 inches A superb Scottish landscape painting of Highland Sheep at the head of Glen Coe by William Watson. The sheep and their lambs are depicted grazing in the morning light with the dramatic mountains beyond. Glen Coe is a valley located in the Highlands to the North of the county of Argyll and close to the province of Lochaber. The area, which became infamous for the Massacre of Glencoe is one of Scotland’s most scenic Highland glens. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil, Canvas

You May Also Like

Recently Viewed

View All