Henry H Parker

The Parting Day - V Large 19th Century English Sunset LandscapeOil Painting

Circa 1890

‘Morning in North Wales’ by Edwin Henry Boddington (1836-1905). This large fine 19th century oil painting is signed by the artist and dated 1867, in which year it was exhibited at th...

‘On the Ribble, Summertime’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in Lancashire – is signed by th...

‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is sig...

‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is signed and dated 1876, in which year it was exhibited at the Royal Society of British Artists in London. Henry Garland entered the Royal Academy Schools in 1853, winning medals for 'Best Drawing from the Life' in both 1854 and 1857. From 1854 he exhibited at the most prominent London venues having 30 paintings shown at the Royal Academy, 67 at the Royal Society of British Artists, and 12 at the British Institution. Today one of Henry Garland’s paintings hangs in the famous Long Room at Lords Cricket...

'The Parting Day’ by Henry H Parker (1858-1930). The painting – which depicts figures and cattle on a country lane at sunset – is signed by the artist and hangs in a good quality gil...

‘Llyn Idwal, North Wales’ by Sidney Richard Percy (1822-1886). The painting – which depicts cattle watering at the edge of the famous lake in Snowdonia – is signed by the artist and ...

Artist/ School: E. S. England (British, active c. 1890-1910), signed lower corner. Title: The Huntsman and his horse. Medium: signed oil painting on canvas, unframed. canvas: ...

Charles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...

Glen Ogle, Lochearnhead, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner right hand corner, titled verso oil painting on canva...

Glencoe Scottish School, late 19th century indistinctly signed lower corner signed oil painting on canvas, framed framed: 30.5 x 42 inches canvas: 24 x 36 inches provenance: private...

Besides Tranquil Pastures Scottish School, signed and dated 1912 oil on board, framed framed: 18 x 24 inches board: 13.5 x 19.5 inches provenance: private collection, UK condition: v...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...