19th Century Painting Romantic Landscape of Beinn Alligin, Wester Ross, Scotland
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Horatio McCulloch19th Century Painting Romantic Landscape of Beinn Alligin, Wester Ross, Scotland
About the Item
- Creator:Horatio McCulloch (1805 - 1867, British)
- Dimensions:Height: 32 in (81.28 cm)Width: 36.75 in (93.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU67334287711
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1990
1stDibs seller since 2017
40 sales on 1stDibs
Typical response time: 1 to 2 days
More From This SellerView All
- Enormous 19th Century British Sporting Horses & Hounds Hunting Oil PaintingBy Charles Augustus Henry LutyensLocated in London, GBCharles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...Category
1880s Victorian Animal Paintings
MaterialsOil
- Grand 19th Century English Marine Painting in Stunning LightBy John Wilson EwbankLocated in London, GBJohn Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...Category
19th Century Old Masters Figurative Paintings
MaterialsOil
$189,196Free Shipping - 18th Century Neoclassical Oil Painting of the Trojan War: Briseis & AchillesBy James ThornhillLocated in London, GBJames Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsOil, Canvas
- Beautiful 19th century Oil on Panel Landscape by Richard HilderBy Richard H. HilderLocated in London, GBRichard Hilder (1813-1852) Pastoral Landscape Oil on Panel 8 3/4 X 10 3/4 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occa...Category
Early 19th Century Landscape Paintings
MaterialsOil
- Beautiful 19th century Oil on Panel Landscape by Richard HilderBy Richard H. HilderLocated in London, GBRichard Hilder (1813-1852) Pastoral Landscape Oil on Panel 10 X 16 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occasional ...Category
Early 19th Century Landscape Paintings
MaterialsOil
- Exquisite Pair of 17th Century Capriccios by Viviano CodazziLocated in London, GBVIVIANO CODAZZI (c. 1603-1672) A Pair of Architectural Cappriccios Oil on Canvas 24 x 28 7/8 inches (60.8 x 73.2 cms) Provenance: Collection Pérez d...Category
1640s Landscape Paintings
MaterialsOil
You May Also Like
- Carnevale di Venezia - Large 19th Century Oil Painting of Venice Carnival ItalyBy James HollandLocated in Gerrards Cross, GB‘Carnevale di Venezia’ by James Holland RWS (1799-1870). The painting – which depicts an extensive view of the Grand Canal with hundreds of masked revellers before the Ducal Palace ...Category
Mid-19th Century Victorian Landscape Paintings
MaterialsOil
- Ezekiel in the Valley of Dry BonesBy Philip Burne-JonesLocated in New York, NYProvenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- Jamey - A Brindle Scottie TerrierBy Wright BarkerLocated in St. Albans, GBWright BARKER Exhibited 1885 - 1935 Canvas Size: 20 x 26" (50 x 65cm) Outside Frame Size: 29 x 35" (72.5 x 87.5) He was a figure and animal painter who was based originally in Brad...Category
Early 1900s Victorian Animal Paintings
MaterialsOil
- The Thames near Bell Lock, a river landscapeLocated in St. Albans, GBCarl BRENNIR A classic opportunity to buy a premier piece painted by Carl Brennir. It is oil on canvas and the canvas is in very good condition. It is not relined and is titled and ...Category
1910s Victorian Landscape Paintings
MaterialsOil
- A Conversation by the BridgeLocated in St. Albans, GBDavid Bates A very traditional English oil painting by the highly collected artist David Bates. It is in a gold leaf swept frame Canvas Size: 24 x 36" (61 x 91cm) Outside Frame Size...Category
1890s Victorian Landscape Paintings
MaterialsOil
- Fishing with Cattle WateringBy Edwin H. BoddingtonLocated in St. Albans, GBEdwin Henry Boddington Canvas Size: 20 x 32" (51 x 81cm) Outside Frame Size: 29 x 41" (74 x 104cm) A very good and typical example of his work which has been relined for preservation only. He lived 1836 - 1905 Landscape and River Scene Painter. Son of Henry John Boddington, he painted mainly scenes of the Thames. He developed a very personal and recognisable style. His river scenes are usually painted in a pale evening light, using a range of very dark greens and browns. Address: Lonsdale Villa, Barnes, London 6 Upper Ranalagh Place, Pimlico, London Exhibited 1853 – 1869 Exhibited at:- British Institution, London Portland Gallery, London Royal Academy Royal Society of British Artists The following works were exhibited at the Royal Academy: On the River Lodden 1854 On the Welsh Hills...Category
1850s Victorian Landscape Paintings
MaterialsOil