HUGH MICKLEM. 1918-2009

'VENICE"

1976

'Down a Suffolk Lane' by ROWLAND SUDDABY 1912-1972 Oil on paper, laid on baord, signed. Rowland Suddaby is one of the enduring names of the 20th century landscape group of pai...

'The Decoy, Wissington, Stoke by Nayland, Suffolk' by Rowland Suddaby 1912-1972 Oil on canvas, signed, 63.5 x 76 cm Rowland Suddaby is one of the enduring names of the twentieth cen...

Barbara Robinson trained at the Slade School of Art in London but left England to settle in the South of France by the late 1950’s. Her interest in p...

Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countrysid...

'LIGHT OVER DARTMOOR' by CLIFFORD FISHWICK 1923-1997 Oil on board, signed botton left, dated 1958, 31.5 x 53.5 cm. Label verso. Provenance: Katherine House Gallery, Marlbororugh,...

Urbino 1 by Richard Beer Born 1928 Oil on canvas, 64 x 77 cm, late 1950's, early 1960's. Provenance : New Art Centre London, Vestigial label verso. Richard Adamson Beer (1928-2017) ...

‘St. James’ Day’ by Richard Morton Paye (1750-1820). This very large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s ev...

George Henry Jenkins (1843-1914). Le rivage, très grande huile sur toile encadrée. Ecole anglaise XIXe Bel état, deux restaurations anciennes à la toile, quelques manques de matière ...

This charming 19th-century oil painting by British artist David Bates (1840-1921) depicts an idyllic rural scene with a picturesque thatched cottage, country track, pond and figures....

Scottish Highland Lochs by A Hicks late 19th Century This artist specialised in Highland Lochs (a pair sold in Christies) Good condition with minor signs of age and use

This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...