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Irina RybakovaGrandmothers Rug2018
2018
About the Item
This painting was created in preparation for Grenning Gallery's second Russian-American Painting Alliance Exhibition in October 2018. Organized by Top Grenning artist Ben Fenske, Rybakova was one of four Russian artists brought to the States to paint plein-air in Stonington Maine, and Sag Harbor, New York in Autumn 2016. Rybakova returned to the States in 2018 to paint in preparation for the second exhibition from the RAPA.
Irina Rybakova (b. 1962 in Vyshny Volochok) is a famous Russian master of landscape. The image of the Russian village and the village worker are her dearest subjects. Her art is appreciated in museums and collections both in Russia and abroad.
Worked as part of the artistic group Academica dacha in Vyshny Volochek, the oldest and well-known creative base of the Union of Artists of the Russian Federation. In 1991 she entered Kostroma (a historic city) department of Artists Union in Russia. Promotes the contemporary realistic school in art in mass media.
Image of the Russian village and the village worker are her most dear subjects and does not like landscapes without humans.
The humanity, fed on pop-art and conceptual art, feels monstrous moral and spiritual emptiness.
- Creator:Irina Rybakova (1961, Russian)
- Creation Year:2018
- Dimensions:Height: 14 in (35.56 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sag Harbor, NY
- Reference Number:
Irina Rybakova
Irina Rybakova is a famous Russian master of landscape. The image of the Russian village and the village worker is her dearest subjects. Her art is appreciated in museums and collections both in Russia and abroad. She has worked as part of the artistic group Akademicheskaya Dacha in Vyshny Volochyok Tver Province, the oldest and well-known creative base of the Union of Artists of the Russian Federation. In 1991, she entered Kostroma (a historic city) department of Artists Union in Russia. Rybakova promotes the contemporary realistic school in art in mass media. She does not like landscapes without humans.
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