James Elliot

"River Landscape"

1875

Here for your consideration is a wonderful oil on canvas painting by the well known French artist, Albert Regagnon. Titled verso, “Bord de L’’Eau” (The Riverside) Signed and dated lower left, 1906. Condition is excellent. Original period frame in fine condition. Mild wear consistent with age. Overall framed measurements are 20.5 by 24 inches. Provenance: Joseph M. de Gimme Gallery, Grosse Point, Michigan. (label verso) Albert Regagnon, French (1874-1961) Regagnon received many honors for his body of painting during his long and productive career, and exhibited regularly at the Paris Salons. Regagnons’ fascination for the Barbizon painters...

Wonderful executed impressionistic landscape painting attributed to the hand of Alphonse Maureau. Unsigned. Relined canvas, original stretcher bars. C...

Beautiful oil on canvas painting by the American Impressionist artist Louis H. Richardson. Signed lower right and dated 1917. Overall framed measurements in original Newcomb Macklin frame 27.5 by 31.25 inches. Louis H Richardson [1853-1923] American Impressionist : Louis H. Richardson was born in New Bedford, MA, where he lived and worked until his death in 1923. Richardson was a self-taught Impressionist artist, most known for his sensitive paintings of the landscape surrounding New Bedford and the Dartmouth area. From his shanty shack studio at Salters Point in South Dartmouth, he would paint the wetlands and feature water, trees, the sky and land. In 1917, Richardson was part of a two-man show in New York City with artist Clifford W. Ashley at the Arlington Art Galleries on Madison Avenue. Of his show, The New Bedford Sunday Standard wrote: “His style is so absolutely his own that the simple mention of his name recalls to mind vividly the salt marshes, the soft browns of silent reaches near the sea, wind-blown inlets, flying clouds. … Some of it reaches a height of charm and truth that it would be impossible to surpass.” Richardson believed in the art community and founded the New Bedford Arts Club and its successor the New Bedford Fine Arts Society. When not painting, Richardson worked at the New Bedford Water Company and later as a plumbing inspector for the city’s Board of Health. He was an avid baseball player and would be known as “the Babe Ruth of New Bedford.” On his death, the local newspaper declared him “one of the best-known artists in New Bedford” and “one of the art pioneers in building up a more widespread appreciation of art in the community.” His work is in the permanent collection of the New Bedford Whaling Museum...

Very well executed tonalist work of a sunset over Amsterdam Harbor in Holland by the well known American artist, George McCord. Signed lower right with A.N.A following the signatur...

Oil on board painting by Aloysius O’Kelly of Concarneau, Brittany. Signed bottom right and titled verso. Condition: Good. Provenance: Sarasota estate. Overall sized framed in o...

Here for your consideration is a fine example of the work of the famous Danish marine painter, Carl Frederick Sorensen. Oil on canvas in original unlined condition with it's original...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...