Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

James Gowan
James Gowan FRIBA Fountains Abbey Modernist Architect Leicester Engineering

1973

About the Item

Post-war architect partner of architect Sir James Stirling, together they created Britain's first post-modernist building, Gowan being the talented shy partner of the larger-than-life Stirling. James Gowan (1923, Glasgow - 2015, London) Fountains Abbey (1973) 62x52cm Signed 'James Gowan' Inscribed to reverse 'Fountains Abbey 1973 James Gowan No 199' To see our other painting by Gowan, Modern British Art and architectural drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and search. Gowan studied at Glasgow School of Art and Kingston School of Architecture where he was taught by Philip Powell of Powell & Moya who subsequently employed him on the winning entry to the Skylon Competition for the Festival of Britain in 1951. Following a period working on Stevenage New Town he jointed Lyons Israel Ellis where he met James Stirling. They were quickly established as one of the most radical practices of their generation when they designed Langham House Close on Ham Common (West London) in 1958 - a reaction against all that had gone before them. Gowan and Stirling took equal parts in the design of their early projects, culminating with the 1963 Engineering Building at the University of Leicester, considered the first postmodernist building in Britain. Shortly after the building was completed the two split acrimoniously, Stirling taking the lion's share of the credit. The Engineering Building represented a violemtn shift from the postwar era's functionalist doctrines, bringing in forceful geometries and dynamic structural feats in what was subsequently called the 'engineering style'. Two cantilevered lecture theatres are topped by a pair of glazed towers, clad in red Dutch tiles, monolithic wedges inspired by the superstructure of an aircraft carrier; the workshop building is surmounted by a crystalline roof with rippling waves that let in north-facing light. An almost gothic feel to the design, with concrete columns supporting the building like mediaeval flying buttresses, was later described by Gowan as "the Picasso profile with teh big eye slapped on the front" The visually stunning and highly practical building caused the architects to be awarded the Reynolds Award from the American Institute of Architects and was Grade II* listed in 1993. Stirling had fallen in love with the style and redelpoiyed it in his History Faculty Library at Cambridge University against Gowan's protestations. In his 2008 biography he said "I haven't changed my opinion that [the History Faculty Library] is a most unlikely college library and repeating the aesthetics [from Leicester] was most unwise." It has never been popular, overheating in summer and leaking in winter. Disagreement over this building caused the seven-year long partnership to break up. Stirling got his way in Cambridge, and with the Florey Building in Oxford followed by many more significant projects. Without Stirling's flamboyant personality Gowan's skill was never allowed to flourish. It was as a teacher that Gowan really excelled, influencing Quinlan Terry Richard Rogers, Peter Cook of Archigram and many others. His little-known speculative projects expressed his playful side. In the 1970s he produced ideas for enormous bird buildings, fat pigs, a giraffe-shaped skyscraper for Greenwich Reach with legs in the tidal Thames. The present work exhibits many of the characteristics obvious in his architectural works. There is a very strong architectural composition. The landscape and sky are approached in almost cubist fashion, reminiscent of the Toblerone-shaped roof of the Leicester Building, whilst the figures have a carefree feel to them. And here indeed are the gothic towers and flying butresses that we know inspired Gowan when designing the Leicester Engineering Building, being captured by the brightly-dressed members of an art class, splashes of primary colour in an already colourful landscape.
  • Creator:
    James Gowan (1923 - 2015)
  • Creation Year:
    1973
  • Dimensions:
    Height: 20.48 in (52 cm)Width: 24.41 in (62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Generally excellent condition, relined.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU79535134692
More From This SellerView All
You May Also Like
  • Reed 22 November 09:54 - Modern Nature Oil Painting, Abstract, Minimalism
    By Robert Motelski
    Located in Salzburg, AT
    Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...
    Category

    2010s Modern Landscape Paintings

    Materials

    Canvas, Oil

  • Naked Blues
    By Jean Sanglar
    Located in Miami, FL
    Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...
    Category

    Late 20th Century Modern Abstract Paintings

    Materials

    Oil Crayon, Oil Pastel, Pastel, Mixed Media, Oil, Acrylic

  • Large colourful modernist abstract landscape painting Vietnamese American artist
    By Ngoc Dung
    Located in Norwich, GB
    A striking, bold colourist painting by Vietnamese artist Ngoc Dung (1931-2000), dating from circa 1960. His highly individualistic art is hard to categorise. In the artist"s own wor...
    Category

    Mid-20th Century Modern Landscape Paintings

    Materials

    Canvas, Oil

  • Roofs. 1991, oil on cardboard 91x85 cm
    Located in Riga, LV
    Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the feeling lightness and joy, which i...
    Category

    1990s Modern Landscape Paintings

    Materials

    Oil, Cardboard

  • 1963 Vintage Mid-Century Abstract Seascape Oil Painting - Coastal Thunderstorm
    Located in Bristol, GB
    COASTAL THUNDERSTORM Size: 52.5 x 70 cm (including frame) Oil on Canvas An emotive and wonderfully executed mid-century abstract artwork, painted in oil onto canvas and dated 1963. ...
    Category

    1960s Modern Landscape Paintings

    Materials

    Canvas, Oil

  • The Surf at Newport
    By Warren W. Sheppard
    Located in Storrs, CT
    The Surf at Newport (Rhode Island). c. 1906. Oil on canvas. 17 x 24 (framed 26 x 34). Lined; extensive craquelure; otherwise fine condition. Housed in an exceptional Louis XV (reviva...
    Category

    Early 20th Century American Modern Landscape Paintings

    Materials

    Oil

Recently Viewed

View All