John Francis Murphy

"Landscape with Trees and Pond"

1890

Jim’s of Lambertville is proud to offer this artwork. Signed and Dated Lower Left John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one o...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tona...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tonal...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower left. John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one o...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the lead...

Jim’s of Lambertville is proud to offer this artwork by: R. John Foster (1908 - 1989) R. John Foster lived all of his life in Newtown, Bucks County, Pennsylvania. He studied at the...

Signed lower left in arrowhead: R.A. Blakelock (NBI-1611-II)

Nice example from important American tonalist artist Bruce (Robert Bruce) Crane (1857 - 1937). Oil on canvas. Signed. Framed.

Original oil on canvas painting of a brilliant sunset over a marsh. Signed lower right “A.L. Groll”. Condition is fair. Unlined canvas. Circa 1895. Presently unframed. Albert Gr...

Ashley John is proud to offer this artwork by: John Fabian Carlson (1874/75 - 1945) John F. Carlson was one of the leading American landscape p...

Signed Lower Right Known for his Tonalist-style landscape paintings, John Francis Murphy was referred to as the "American Corot" because of his similarity to the painting style of ...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...