Joseph Vickers De Ville

Claire de Lune - Moonlight - British 1916 Impressionist landscape oil painting

1916-19

Do you like fountains? Sylvia Gosse certainly did, as the location of this painting is the French town of Pernes Les Fountaines in Provence. The little town has 40 or more fountains, big and small, all serviced by the river Nesque. Gosse was a Camden Town/Sickert School artist and painted this painting circa 1912. It depicts a nocturnal landscape scene with three fountains. The fountains are beautifully illuminated with coloured lights and a large crowd on the banks of the water seem to have gathered to watch this spectacle, some having brought their own chairs. The coloured lights cast beautiful tones of pinky red on to the on lookers. Across the water and beyond a tree covered hill stands an impressive columned building. The vibrant colouring, impasto and brushwork are all superb. This is an excellent example of Gosse's work and Sickert's influence as her mentor and life long freind are evident. Signed lower left and also signed and titled verso. Provenance. Private collection of Camden Town Group...

This superb Victorian exhibited oil painting is a masterpiece of British Newlyn School art by John White. The painting depicts a mother and child overlooking the sea on a hilltop. Th...

This beautiful, large British figurative landscape oil painting is by noted Slade School artist Franklin White. Painted circa 1920, the composition is of a large number of villagers ...

A fine large oil on canvas which is attributed to circle of David Cox. It is a super evocative landscape which depicts a couple seeking shelter and man by the fire in a bivouac on a...

An original oil on panel by Pauline Glass who was educated on the continent at the Academy Julien and who exhibited throughout her career. This stunning oil is a bold, adventurous an...

A fine large oil painting by John Bulloch Souter. This is a super evocative oil on canvas depicting a scene in Madrid and was painted in 1921. It is housed in its original gilded oak...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

A fine Impressionist oil, ' Young Friends by the Beach Watching Fishermen' circa 1950's. oil on canvas 43cm x 53cm Good quality gallery frame 52cmx62cm ...

Coastal Scene by Sigurd Solver Schou (1875-1944) Oil on panel 10 x 13 inches unframed ( 25.4 x 33.02 cm) 14 ½ x 17 ⅛ inches framed (36.83 x 43.4975 cm)...