Julen Meunie

JULIEN MEUNIE. COAST. MAJORCA original watercolor painting

1991

A. Rio Barcelona .Original gouache paper painting . AGUSTIN RIO ( Barceona 1923 – Barcelona 1997) Formed in Llotja i al Cercle Artístic de Sant Lluc He appeared individually in 195...

Les Guilleries. Original acrylic painting Casimiro Martínez Tarrassó, a painter known simply as Tarrassó. He was trained at the La Llotja School in Barcelona. He completed his studies in Paris, where he got to know first-hand the Fauvist works that were shaking the Parisian art scene at the time. This Fauve influence will continue to be palpable in his work throughout his life in features such as the strong chromatic contrast, the elevated and somewhat exaggerated perspective, the absolute disinterest in the human figure, which appears only sketched as a complement to the landscape, and the representation of trees as electrified, subjected to tortuous inclinations. It is these formal features that give his works their own vitality and reduce their connection with the referential to a mere pretext. Tarrassó followed in the wake of the great Catalan landscape painters, paying particular attention to Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated still life and Catalan and Majorcan landscapes. He held his first exhibition in 1928 in Barcelona. Since then his shows have followed in Barcelona, Madrid, Palma de Mallorca and Bilbao. In 1935 he visited Mallorca for the first time, and from 1940 on he will have a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the 1940s, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa María de Badalona. In Mallorca he also carried out a unique undertaking, planting his trestle in the Campanet caves to capture the stalactites and stalagmites from their stone cavities, developing a series of works that he presented in 1948. Throughout his career, Tarrassó was awarded the Pollença Prize of the I International Painting Contest, in 1962; the Santiago Rusiñol...

"Barcelona" - Original Cancas. urban landscape acrylic painting. B. Sarsanedas Planella was born in 1942 in Rupit (Barcelona). 1957. He attends drawing and painting classes at the ...

Landscape Pyrenees original realist watercolor painting Original work on paper by the Spanish artist CABANE Joaquin Cabene. 1922/1993 Painter and watercolorist, Joaquim Cabané trave...

Abella. Original acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish c...

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930).. original expressionist acrylic painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. ...

Colorful autumn landscape. 1979, oil on cardboard, 46,5x60 cm Based on reality, artist painted expressionistic landscapes in which he dramatized the expression of shapes and colors....

Paris. 2009, canvas on cardboard, oil, 30x40 cm Sunny day in Paris with people and cars

Street view. 2013. Cardboard, oil, 97x123 cm

Unsigned, but it is attributed to Thomas Miles Richardson Jr., R.W.S. (1813 - 1890), since the similar work was sold through Christies in 1998 (same size with signature and date 1861...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Industrial illustration of a smokestack by Charles Ross Kinghan (American, 1895-1984). A large tower and holding tanks are rendered in exquisite detail, especially considering the size of the illustration. The smokestack towers above the landscape, with stairs running up the outside. Two large green holding tanks sit next to the tower. At ground level, there are a few small figures, indicating the enormous scale of the refinery. possibly a sketch for Colliers or The Saturday Evening Post Magazine. Unsigned, but was acquired with other signed estate works by the artist. Presented...