Items Similar to A Bit of New England
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Louis Oscar GriffithA Bit of New England1908
1908
About the Item
A Bit of New England
Oil on canvas,, 1908
Signed lower left corner: L. O. Griffith
Condition: Excellent
Canvas size: 26 x 38 inches
Frame size: 33 3/8 x 45 1/4 inches Note: original frame choosen by the artist for exhibition
Exhibited: The Art Institute of Chicago, Catalogue of the Twenty-First Anuual Exhibition of Oil Painting and Sculpture by American Artists, October 20 to November 29, 1908, No. 115 in the catalog (see photo)
Louis Oscar Griffith
(1875-1956)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club.
He made his first trip to Brown County, Indiana in 1908, intrigued by reports of beautiful scenery by other Chicago-area artists such as Adolph Shultz and woodblock print-maker Gustave Baumann.
Griffith’s first exhibition was in 1903 at the Art Institute of Chicago, which by 1824 exhibited more than 60 of his works. He showed almost 70 works at the annual Hossier Salon Exhibition.
He won a bronze medal at the Panama-Pacific International Exposition in San Francisco in 1915; in 1921, he was a gold medalist at the Palette and Chisel Club; he won the Daughters of Indiana prize in 1925. The Chicago Society of Etchers recognized his works in 1949 and 1953; an oil, A Tranquil Afternoon, was awarded the Davis Wild Flower and Landscape prize in San Antonio, Texas.
The Smithsonian Institution in Washington mounted a special exhibit of Griffith’s prints in 1945. He also exhibited at the 1921 show of the Pennsylvania Academy of Fine Arts; the 1926 Sesquicentennial Exposition in Philadelphia; the 1927 second International Exhibition of Modern Engravings in Florence, Italy; the Canadian National Exposition; National Academy of Design in 1943; and the Library of Congress, also in 1943.
- Creator:Louis Oscar Griffith (1875-1956, American)
- Creation Year:1908
- Dimensions:Height: 26 in (66.04 cm)Width: 38 in (96.52 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
712 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Akron, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Gulf of Corinth SceneBy Anna Richards BrewsterLocated in Fairlawn, OHGulf of Corinth Oil on canvas, April 1912 Signed by the artist lower left; titled by the artist lower right (see photos) Image size: 5 1/2 x 13 1/2 inches Frame size: 9 x 16 3/4 inc...Category
1910s American Impressionist Landscape Paintings
MaterialsOil
- SeascapeBy George AdomeitLocated in Fairlawn, OHSeascape (Off Monhegan, Maine) Oil on canvas, mounted to board by the artist, c. 1940 Signed: George G. Adomeit lower right A view of the Maine coas...Category
20th Century American Impressionist Landscape Paintings
MaterialsOil
- Rocky InletBy Karl Albert BuehrLocated in Fairlawn, OHRocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...Category
1910s American Impressionist Landscape Paintings
MaterialsOil
- Spring in Brown CountyBy Louis Oscar GriffithLocated in Fairlawn, OHSpring in Brown County Oil on canvas mounted on phenolic resin support, c. 1925 Signed lower right: L. O. Griffith (see photo) Condition: Excellent Painti...Category
1920s American Impressionist Landscape Paintings
MaterialsOil
- Storms (At Sea)By Louis Oscar GriffithLocated in Fairlawn, OHStorm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenan...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsOil
- The Calm SeaBy Ernest HaskellLocated in Fairlawn, OHThe Calm Sea Oil on mahogany panel, 8 7/16 x 6 1/2 inches Signed lower left (see photo) This work was inspired by Haskell's frined, teacher and mentor, James ...Category
1890s American Impressionist Landscape Paintings
MaterialsOil, Panel
You May Also Like
- Union Square, Winter (Washington Monument)By Theodore RobinsonLocated in New York, NYAs one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.Category
19th Century American Impressionist Landscape Paintings
MaterialsOil
- At the ClotheslineBy Irving Ramsey WilesLocated in New York, NYSigned lower right: Irving R. WilesCategory
Late 19th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Miner Hillard Milling CompanyBy George William SotterLocated in New York, NYSigned lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsOil, Board
- "Alley Fiends"By John R. GrabachLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Forest Strongholds"By John F. CarlsonLocated in Lambertville, NJSigned lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928Category
20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Solebury Valley"By William Langson LathropLocated in Lambertville, NJSigned lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...Category
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
New Antique
New England
Used Bits
New England Modern
Antique Bits
Antique St Louis
New England Landscape Oil
Chicago Antique
Medal Exposition
Antique Teacher
8 Bit
New England Impressionist
Antique Library Signs
Antique Library Sign
Antique Artist Palette
Antique Artists Palette
New England Landscape Modern
Indiana School