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Marilina Marchica"Landscape" , Original Oil Paint on Canvas Made in Italy2023
2023
About the Item
Landscape
Oil on Canvas
Original Art Ready to Hang
65x50 cm
2023
...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace,
through the stripping, reduction and subtraction of figurative elements.
"my landscapes are" boxes "of memories,
day after day they welcome events and individuals who leave their marks and change their boundaries and appearance
Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Academy of Fine Arts in Bologna and at the Polytechnic University of Valencia in 2008
she trained with Luca Caccioni, Giovanni Mundula and Adriano Bacilieri. Marilina Marchica focuses her research on the theme of subtraction and the aesthetics of the sign.
Her pictorial investigation goes to the limit of abstraction thanks to a reflection on architecture and, in particular, on the wall as an internal / external diaphragm and a metaphor for the relationships between man, nature and time.
The architectures take on a symbolic value in relation to collapses and demolitions and impose themselves as a metaphor for a universal and existential dimension.
Marilina Marchica has been the protagonist of various personal exhibitions such as those promoted by the FAM Gallery in Agrigento, San Sebastiano Contemporary - Casa Bramante in Palazzolo Acreide, Spazio HUS in Milan.
In addition to the site-specific intervention designed for the crypt of the Church of Santa Maria del Piliere in Palermo, we recall the participation in the 2nd edition of the FAM Award - Fabbriche Chiaramontane in Agrigento and in the artist residence at Villa Aurea - Valle dei Templi, promoted by the Superintendency of Cultural Heritage of Agrigento.
In 2021 she was invited to participate in the project "Visioni Oblique, Artist's Books, Object Books, Phototexts for the Belice".
Marilina Marchica's works have been published in sector magazines and volumes such as "The New Collectors Book" (New York, 2015) and are present in public and private collections in Italy and
foreign countries, including the Chiaramontane factories of Agrigento and the Museum of Mediterranean Weaves Fondazione Orestiadi of Gibellina.
- Creator:Marilina Marchica (1984, Italian)
- Creation Year:2023
- Dimensions:Height: 25.6 in (65 cm)Width: 19.69 in (50 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Agrigento, IT
- Reference Number:1stDibs: LU1764213090872
Marilina Marchica
Marilina Marchica (Agrigento, 1984) lives and works in Agrigento. She trained at the Universidad Politécnica de Valencia and the Academy of Fine Arts in Bologna, where she graduated in Painting. He has participated in several exhibitions on national and international territory. In addition to the solo shows at the FAM Gallery in Agrigento, the A Sud Arte Contemporanea gallery in Realmonte, Spazio Hus Milano and the site-specific exhibition for the crypt of the Church of Santa Maria del Piliere in Palermo, we remember his participation in the FAM Prize of the Chiaramontane Factories of Agrigento and at the artist's residence in Villa Aurea - Valle dei Templi, curated by the Superintendency of Cultural Heritage of Agrigento. His works have been published in art magazines and volumes including "The New Collectors Book", edited by Basak Malone (New York, 2015). Her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the stripping, reduction and subtraction of figurative elements.
"my landscapes are" boxes "of memories,
day after day they welcome events and individuals who leave their marks and change their boundaries and appearance "
The aesthetics of the "Sign" in Marilina Marchica's pictorial production starts from a research on architecture
the wall as a diaphragm between inside and outside
this takes on a strong symbolic value for the artist, crystallizes collapses and demolitions, freeing them from oblivion and placing them in a universal dimension that alludes to life and its seasons.
This cyclical and dynamic trend, on the other hand, tends to expand in the "Landscapes" to take on an expanded dimension that aligns itself on the geographical horizons, evoked by a vision of reality bordering on abstraction.
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