Mario Menin

Italian Impressionist, Woodland Walk and A Fauvist Village Scene (Double Sided)

1920s

Mid Century oil on canvas view of the Moorish arch in the Plaza de Zocodover in Toledo, Spain by Louis Léo Hourdille. The painting is signed and titled to the back of the canvas. Ho...

Early 20th Century oil on canvas view of a vineyard, Cypress trees and a farm beyond by French artist Sylvain Coste. Signed bottom left. Presented in wood and gilt frame. A charming...

A large scale American Impressionist landscape of a snow scene, most probably Wisconsin, by Leroy Ferdinand Jonas. The painting is signed and dated bottom right and presented in a fi...

French Mid Century oil on canvas painting of Le Pont Neuf bridge in Paris by Georges Dominique Rouault. Signed lower left, presented in fine ...

Early 20th Century romantic oil on canvas of the banks of the river Seine around Paris presented in a carved period gilt frame. In all likelihood painted 'en plein air' in autumn or winter the painting has the feeling of some of the impressionists of the late 19th century. See Claude Monet and his 'Les Bords de la Seine à Argenteuil', Alfred Sisley's views of the Seine from the 1870's or Gustave...

French Impressionist oil on canvas view of trees on a riverbank in all their colourful autumn glory by Francoise Hinard. Initialled bottom right. Hin...

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...