Items Similar to "Ocean Parkway Beach, October 2" Nathan Hoffman, Brooklyn, Impressionist
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Nathan Hoffman"Ocean Parkway Beach, October 2" Nathan Hoffman, Brooklyn, Impressionist1941
1941
About the Item
Nathan Hoffman
Ocean Parkway Beach, October 2, 1941
Signed, titled, dated on the reverse
Oil on artists board
9 3/4 x 14 inches
Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born.
This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses.
Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition.
Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement.
Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists.
By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson (1899 – 1977), among others.
Hoffman continued to exhibit his and other artist’s works at the gallery through at least 1963, by which time it had moved to 236 East 60th Street. That year he held a spring exhibition which was dominated by early 20 th century artists, including Charles W. Hawthorne (1872 – 1930) and Joseph Stella (1877 – 1946). Among the works he personally exhibited in the show was a portrait he painted of National Academician, Alphaeus P. Cole (1876 – 1988). Even with his own retail space, Hoffman continued to exhibit elsewhere in the city, including at The Jewish Club and at the Washington Square Artist’s Fair.
Nathan Hoffman died in Flushing, Queens, New York on Sunday, the 20 th of May 1979 at the age of seventy-nine years. At present it is not known where his service was held, however he was interred at New Montefiore Cemetery in West Babylon, New York. An alternate birth date of April 23, 1900 was noted on his World War I registration card, however nearly all other documents record as his birth occurring in February, indicating the April date is likely an error.
Most of what is known about Hoffman is through the several groupings of figurative, landscape and seascape paintings that have appeared on the market over the years. He seems to have been particularly interested in painting in Brooklyn at Brighton Beach, Coney Island and elsewhere in the environs of New York City. Many of these works are small in size, indicating many of them were painted en-plein-air. His earlier works are impressionist in style, though during his later years some abstractions do appear. Hoffman signs his name fully on his paintings as “Nathan Hoffman” and they are often signed and fully dated on the verso as well.
Though there are undoubtedly other exhibitions in which Hoffman participated, those presently known include the following: Society of Independent Artists, New York, NY, 1925; Ferargil Galleries, New York, NY, 1929 (solo); Babcock Galleries, New York, NY, 1930 (twice, spring solo & summer group exhibition); National Academy of Design, New York, NY, 1931; Allied Art Festival Exhibition, Spring Lake, NJ, 1935; Sutton Gallery, New York, NY, 1939 – 63 (solos & group shows); Podell Art Exhibition, New York, NY, 1939; The Jewish Club, New York, NY, 1945? (solo); Kettler Group Exhibition, New York, NY, 1953; Washington Square Artists Fair, New York, NY, (u.d.).
Hoffman’s works are not presently known to be in the collection of any public institutions, however his works reside in many private collections throughout the United States.
- Creator:Nathan Hoffman (1900 - 1979, American)
- Creation Year:1941
- Dimensions:Height: 14.5 in (36.83 cm)Width: 18.5 in (46.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841212878162
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2021
1stDibs seller since 2022
61 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- "Fisherman of Yankee Cove, " Harry Leith-Ross, Boat LandscapeBy Harry Leith-RossLocated in New York, NYHarry Leith-Ross (1886 - 1973) Fisherman of Yankee Cove Oil on canvasboard 8 1/8 x 10 1/2 inches Signed lower left; also with artist, title, and number '39' on label verso Provenance: Private Collection, Pennsylvania Landscape painter Harry Leith-Ross was born in Mauritius in 1886, a British possession in the Indian Ocean. He came to America as a seventeen year old. Before beginning, some ten years later in 1914, his studies at the Art Students League Summer School in Woodstock, New York at the relatively late age of twenty-eight, Leith-Ross had worked as a commercial artist. He studied with John F. Carlson and Birge Harrison at the League Summer School, and later with C. Y. Turner at the National Academy of Design in New York City. He then went to Paris, studying with Jean Paul Laurens at the Academie Julien and in England with Stanhope Forbes. Long associated with the Bucks County artists' colony in New Hope, Pennsylvania, Leith-Ross may have first gone there in 1912. It is definitely known that he visited the area in 1916 at the invitation of a student he had met when both attended the Art Students League Summer School in Woodstock, John Fulton Folinsbee. Birge Harrison, his former instructor at the League, whom he met again, was also there in New Hope during the winters from 1914 to 1916. The third and last generation of the New Hope colony would be comprised of artists like Leith-Ross, Folinsbee and Kenneth R. Nunamaker. It is somewhat ironic that Leith-Ross, so long affiliated with the New Hope School of American Impressionism...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsBoard, Oil
- "La Seine Fumee bleu, " William Samuel Horton, France, American ImpressionismBy William Samuel HortonLocated in New York, NYWilliam Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Locomotive Train in Snowstorm, " Guy Wiggins, American Impressionist, WinterBy Guy WigginsLocated in New York, NYGuy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork. Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry). Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...Category
1950s American Impressionist Landscape Paintings
MaterialsCardboard, Oil
- "Berkshires Winter Landscape, " Leo Blake, Snowy Stream in MassachusettsBy Leo BlakeLocated in New York, NYLeo B. Blake (1887 - 1976) Berkshires Winter landscape, Massachusetts, circa 1952-53 Oil on canvasboard 12 x 16 inches Signed lower right Provenance: Private Collection, Massachuset...Category
1950s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Haystacks on the Marsh, " Arthur Diehl, American Impressionism Sunset LandscapeLocated in New York, NYArthur Vidal Diehl (1870 - 1929) Haystacks on the Marsh at Sunset, 1927 Oil on board 14 x 22 inches Signed and dated lower right Born in England to...Category
1920s American Impressionist Landscape Paintings
MaterialsBoard, Oil
- "Maine Coast, Ogunquit, " Ernest Albert, American Impressionism, SeascapeBy Ernest AlbertLocated in New York, NYErnest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...Category
1930s American Impressionist Landscape Paintings
MaterialsBoard, Oil
You May Also Like
- "City Cruising", Oil PaintingBy Kevin WeckbachLocated in Denver, COKevin Weckbach's (US based) "City Cruising" is an original, hand made oil painting that depicts a bustling city street and sidewalk , in early evening, filled with cars and walking c...Category
2010s American Impressionist Landscape Paintings
MaterialsOil, Board
- Bird Bath, 10x8" oil on boardBy Lu HaskewLocated in Loveland, COBird Bath by Lu Haskew Oil Painting of backyard garden 10x8" image size 18x16" framed Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE...Category
Early 2000s American Impressionist Paintings
MaterialsCanvas, Oil, Board
- Not Fishing Today, 8x10" oil on boardBy Lu HaskewLocated in Loveland, CONot Fishing Today by Lu Haskew Oil 8x10" image size Landscape Painting, Boat at Dock This painting is unframed, canvas on gator board, the price reflects that it is unframed. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...Category
Early 2000s American Impressionist Paintings
MaterialsCanvas, Oil, Board
- Plein Air Creekside, 8x9" oil on boardBy Lu HaskewLocated in Loveland, COPlein Air Creekside by Lu Haskew Oil 8x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...Category
Early 2000s American Impressionist Paintings
MaterialsCanvas, Oil, Board
- Summer Light, 7x10" oil on boardBy Lu HaskewLocated in Loveland, COSummer Light by Lu Haskew Oil 7x10" image size Painting of a home nestled in trees. This painting is unframed, canvas on gator board, the price reflects that it is unframed. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...Category
Early 2000s American Impressionist Paintings
MaterialsOil, Canvas, Board
- Summer Fun, 12x14" oil on boardBy Lu HaskewLocated in Loveland, COSummer Fun by Lu Haskew Oil Painting of kids at play on the beach 12x14.5" image size 15x18.5" framed Shipping price includes the custom packing necessary for safe transport of fine...Category
Early 2000s American Impressionist Figurative Paintings
MaterialsCanvas, Oil, Board
Recently Viewed
View AllMore Ways To Browse
George The 3th
Seltzer Water Vintage
Vintage Place Card
Vintage Ocean Paintings
Jewish Artists Paintings 19th Century
Vintage Paint Kettle
World War 2 Bronze
Vintage Mens Dior
Frederick Lyman
George Washington Nicholson
J Ruiz
Leon Printemps
Oil Navy Attack
Otto Emerson
Ruth Squibb
S Hotchkiss
Sotter Clouds
William Otto Emerson