Penny Rumble

"Tempest" : A contemporary seascape oil on canvas, contemporary

2019

Artist's garden, Early June Oil on canvas board

It is the middle of summer and a strong southerly kicks up the sea so that it pounds against the shore. On a balmy, moonlit night in July, spray fills the air and a silvery reflectio...

“L’ardoise” (120 X 100cm). A sparkling dappled light falls upon the scene through the softly sighing trees. A bistro in San Francisco rendered almost dreamlike in oils both thick and...

On his Trading Shoe Leather Tour in 2004 Berlin visited St. Remy. He found himself surrounded by Van Gogh and decided to get inside the head of this great and troubled artist. What f...

“White light”. (90 X 76cm). Julian spends much time in exploration of the fleeting states of light along the coastal zones. This painting portrays one such effect. Here the evening s...

“Blue Dryad” (120 X 100cm) and like the mythical forest dwellers themselves, this “Dryad” is marvellously at home among the boughs and blooms. Held here mid-flight, the summer-visiti...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...

Excellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...

George Lambert (1863-1946) * Alternate title for painting is "Stonington Lighthouse". Signed lower right. Beautiful example of Lambert's best work. Painted very much in the style and...