Robert McIntosh

Olive Trees

1941

Presenting large just discovered tryptich, 3 hinged oils on canvas by Belgian artists Jessica Rice 1942 -2016. This painting was recently found wrapped and stored within the privat...

Presenting a magnificent small oil on panel by English artist Samuel Henry Baker(1824–1909). "Cauldrin Mill", is an original oil on panel, signed, titled, c.1850, with an image di...

"Entrance to the City" is an original oil on panel by American artist Ron Blumberg. Blumberg was classically trained at La Grande Academie Chaumiere in Paris, c. 1930, before mov...

A rare, early original painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize awarded ...

A rare, early original painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize awarded at the Los Angeles County Museum in 1948. "Palos Verdes...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of t...

Daffodil, Daniel Blagg, Oil on Canvas, 42 x 54", 2019 A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg has worked in the DFW ar...

Caduceus, 2011, Daniel Blagg, Oil on canvas, 80 x 60" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewe...

GUN SALE is an oil on canvas painting standing at 54 inches tall and 41 inches wide, featuring an inflatable advertiser standing adjacent to a gunshop seated in a dark, night sky background. A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg...

‘LYNN AND SMITH ONE’ (with Le Corbusier flaking paint from Villa La Roche), 2019

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...