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Susan Hope FogelJersey Shore (Whimsical Panoramic Watercolor of Figures at the Beach), Framed2021
2021
About the Item
"Jersey Shore", 2021 by Susan Hope Fogel
Abstract Deconstructionist watercolor painting of a summer beach scene
7 x 24 inches, archival watercolor and gouache on 300 lb. Arches paper with deckled edge
11 x 28 inches in a custom silver frame
Signed by the artist
Excellent condition, ready to hang as is
Susan Hope Fogel describes her paintings in watercolor as “an alternating dance of construction and deconstruction until the form is there, yet not defined in the traditional sense.” Scenes are pieced together, as if from a memory; convening outdoors for a summer evening concert; people-watching in Central Park; long, summer afternoons on the beach. Her work with its many layers of paint, drips, and splatters, achieves a mood that is activated by how she paints the light. Figures are prevalent in Fogel’s landscapes and urban scenes. She enriches these silhouettes with personality and character simply by capturing their posture, pose, shape and size.
This charming contemporary panoramic view of figures at the beach was created by Hudson Valley artist, Susan Hope Fogel, in 2021. This expressionist inspired abstraction is composed of fragmented brushstrokes in a cool blue and grey palette that are softly blended together to create a misty or shadowy bleeding effect. Figures lounge in beach chairs, nestled beneath sun umbrellas looking out toward the water. In some areas, wet paint is left to drip down the paper. The archival watercolor and gouache drawing is on sturdy 300 lb. Arches paper with deckled edges and is framed with a silver frame.
About the artist:
After spending many years painting in the style of traditional realism , Susan had the opportunity to work with Paul Ching-Bor to explore a new form of expression in Deconstructionist Watercolor. Working in New York City with a group of large scale watercolorists, Susan soon found herself fascinated by the experimental quality of this new media. A great departure from the world of realism this media allowed for great freedom of expression creating from an intuitive place, deep within, instead of inspiration from the outside world.
The focus of her work has now shifted to large scale watercolor painting with an emphasis on abstraction of landscape and cityscape.
Susan has studied in art schools in New York City including: classical drawing at The New York Academy of Art, figure and portrait painting at The Art Students League and The National Academy of Design. She credits John Philip Osborne for developing her painter’s eyes at The Ridgewood Art Institute.
- Creator:Susan Hope Fogel (American)
- Creation Year:2021
- Dimensions:Height: 11 in (27.94 cm)Width: 28 in (71.12 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22710039142
Susan Hope Fogel
There is no doubt that Susan Hope Fogel will be concerned one of the 'modern masters' of her time. Early in her career, Fogel held a distinctly classical approach to traditional realism as evidenced in her landscape and still life paintings. Created in oil, painted in studio or plein air, she always paints the light. When one considers the difficulty in understanding the role of light on form and color, especially its ever-changing presence and effect, it is perhaps easier to understand the dismissal of classical training by both "modern" artists and the numerous middlemen involved in the artworld of today. In 2015, after spending many years painting in the style of traditional realism, Susan Hope Fogel had the opportunity to work with Paul Ching-Bor to explore a new form of expression in Deconstructionist Watercolor. Working in New York City with a group of large scale watercolorists, Fogel soon found herself fascinated by the experimental quality of this new media. A great departure from the world of realism this media allowed for great freedom of expression creating from an intuitive place, deep within, instead of inspiration from the outside world. The focus of her work has now shifted to large scale watercolor painting with an emphasis on abstraction of landscape and cityscape. Susan has studied in art schools in New York City including: classical drawing at The New York Academy of Art, figure and portrait painting at The Art Students League and The National Academy of Design. She credits John Philip Osborne for developing her painter’s eyes at The Ridgewood Art Institute.
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