Teodoro Wolf Ferrari

Carnival on The Grand Canal, Venice by Night

1900

Figurative Expressionist portrait and scene of a travellers gypsy caravan. The painting is signed bottom right, Fayo (?) but further research is necessary for an attribution. Presented in a fine chip carved Montparnasse frame. Provenance: from a Private French collection, South of France. A strong and powerful scene, part portrait part scene of a travellers life. Both characters seem to be in quiet contemplation aware of each other but not looking. The artist has created a mood to the painting featuring simple lines with an almost monumental quality and muted colour harmonies. The work is very reminiscent of the paintings of Ramiro Arrue and the scenes of his beloved Basque country. Ramiro Arrue was born in Bilbao, into an artistic family: his three older brothers, Alberto, Ricardo, and José, were also artists and frequently held joint exhibitions with him. He also had two sisters. Their father, Lucas Arrue, was an art collector who sold his collections (including a Goya) to pay for the artistic training of his sons. At the age of nineteen, Ramiro travelled to Paris to take courses at the Académie de la Grande Chaumière. Living in Montparnasse, he became an associate of his countrymen Ignacio Zuloaga and Paco Durrio, as well as the sculptor Antoine Bourdelle, who became a close friend. He was also associated with Picasso, Modigliani, and Jean Cocteau. In 1911, Arrue exhibited at the Salon des Artistes Français. In 1922, along with his friends Philip Veyrin and Commandant William Boissel, he founded the Musée Basque at Bayonne. In 1925 Arrue won a gold medal at the Exposition Internationale des Arts Decoratifs. He exhibited in Bayonne, Pau, Strasbourg, Bilbao, and Cordoba. Along with his brother José, he travelled and exhibited in South America, to Buenos Aires and Montevideo. He often, however, returned to the Basque Country, particularly to Saint-Jean-de-Luz, where he settled in 1917 and where he found his main inspiration for landscapes, portraits, and everyday scenes. In 1929, he married Suzanne: they went on honeymoon in St. Tropez. Arrue produced illustrations for Francis Jammes (La Noce basque), Pierre Loti (Ramuntcho), Joseph Peyré (Jean le basque...

French Expressionist oil on board of The Place du Tertre and Sacre Coeur in Paris by Bernard Vivier. Signed to the back of the panel, presented in plain wood frame. A wonderful colo...

Oil on board view of a water well set amidst romantic ruins and foliage with a figure, by L Masson. Signed bottom left presented in wood frame. There is a c...

Danish oil on board painting of couples making their way in a landscape, by Poul Møller. Though not signed the painting has a dated artist's label to the side of the frame. Presented...

Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...

French Mid 20th Century oil on board Fauvist view of a Provençal village street, probably near Nice in the South of France by Hyppolite Roger. The pain...

Signed and dated symbolist figure in landscape oil on board by French painter Alphonse Osbert. The piece depicts a blonde woman in a full length purple...

This large artwork figures a bamboo forest in the night. The artist impasto technique is light, with textured painting and a few small reliefs. This artwork is not framed. Françoi...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". Sheet measures 12 1/2 x 10 inches. This is a very early work and despite the fact that...

Signed symbolist oil on panel circa 1910 by French Les Nabis painter Ker-Xavier Roussel. This beautiful painting depicts nudes and figures dressed in robes in a wooded landscape. Signature: Signed lower left Dimensions: Framed: 31"x40" Unframed: 23"x32" Provenance: JPL Fine Arts - London c. 1985 Ker-Xavier Roussel met Édouard Vuillard at the Lycée Condorcet, which they both attended. Together they visited Eugène Ulysse Napoléon Maillard's studio, where Roussel became acquainted with Charles Cottet, going on to study at the Académie Julian under Bouguereau and Jules Lefebvre. There, he became interested in the Synthetism promoted by Sérusier, following Sérusier's heeding of the line Gauguin had adopted in Pont-Aven. He joined the Nabis group. He and his friends form a link between the Impressionists - he knew Cézanne, Degas, Renoir and Monet - and the Fauves and Cubists. In his earliest paintings, Roussel adopted a dark palette for Realist still-lifes. Later, his work bore the influence of Gauguin, Sérusier, the Nabis and Cézanne, in Intimist scenes painted in flat tints not yet clearly delineated. Their dull, saturated tones are reminiscent of Cézanne. In about 1900 he started painting mythological scenes full of nymphs and fauns and set in his home region of Île-de-France. After a bicycle trip in Provence with Maurice Denis, during which he met Cézanne, he lightened his palette, much taken by the cloudless skies below which he would now set the mythological and idyllic compositions which link him to Poussin and Corot. This wondrous, unreal world found its way into large-scale works, including the stage curtain of the Champs-Élysées theatre in 1913, a large Pax Nutrix for the Palais des Nations in Geneva and Dance for the Palais de Chaillot in 1937. He is best remembered for: Silenius' Triumph, Polyphemus, Diana, The Abduction of the Daughters of Leucippus. The nymphs and fauns of a mythology quite his own appear in clearings and woods from the outskirts of Paris, but the sun they rejoice in is Mediterranean. To capture the vibration of bright colours under a permanent sun, he later turned to pastels. He was more a Symbolist than a Nabi and signed himself K.-X. Roussel. He also produced lithographs. He took part in exhibitions from 1891 with the Groupe des Vingt at le Barc de Bouteville's gallery in Brussels. Then he exhibited in Revue Blanche Painters ( Les Peintres de la revue blanche) in Paris; with the Nabis at Café Volponi in Paris; before World War I with Free Aesthetics in Brussels; from 1901 at the Salon des Indépendants and the Salon d'Automne; in the 1930s in Revue Blanche Painters ( Les Peintres de la Revue blanche) hosted in Paris by designer Bolette Natanson, the daughter of the Revue Blanche's owner. He took part in The Masters of Contemporary Art ( Les Maîtres de l'art contemporain) at the Musée du Petit Palais in Paris, and at the 1938 Venice Biennale and 1939 New York World Fair. He featured posthumously in Toulouse-Lautrec and the Nabis ( Toulouse-Lautrec et les Nabis) at Bern Kunsthalle; From the Revue Blanche ( Autour de la revue blanche) in the Galerie Maeght, Paris, and in Tokyo and Brussels. He had one-man shows in Paris before his death in 1944. Retrospectives were mounted in the 1960s in London and Bremen. Museum and Gallery Holdings: Geneva (Petit Palais): Haystacks on the Seaside Paris (BNF): Training the Dog; Landscapes (engraving); Nymph and Faun (c. 1895, etching) Paris (Louvre): Poject for a Screen (drawing) Paris (MNAM-CCI): The Road (c. 1905); The Cyclops (1908); Venus and Cupid on the Seafront (1908); The Abduction of Leucippus' Daughters (1911); Pastorale (1920); Diana at Rest (1923); Portrait of Vuillard (1934) Paris (Mus. d'Orsay): The Gate (pastel); Woman in Profile with Green Hat; In Bed; Félix Valloton...

"Ophelia" is a painting by Maestro Edele Bessy - MABILLOT GRANDJEAN GENEVIEVE The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Bessy, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Edele Bessy was born on August 7, 1946. Self-taught painter since 1982. At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting. New beings appear unconsciously on his canvases taking on the dimension of a wandering crowd, mostly women whose eyes arise and challenge us with ever so much acuity. Maestro Bessy paints in a very personal, constantly evolving style. Maestro MABILLOT GRANDJEAN GENEVIEVE - ADELE BESSY Awards : Prix de Peinture du Salon de Beauchamp 2023 Médaille du Conseil Départemental de Bourg la Reine 2023 Prix de peinture Salon des Amis des Arts de Chaville 2022 Prix de peinture Salon des beaux-arts de Boulogne-Billancourt 2022 2ème Prix de Peinture Salon de Chablis 2022 Prix de la ville Salon du SPAM Pontoise 2021 Grand Prix de Peinture de SEMEAC 2021 Prix du Jury indépendant Etampes 2021 Prix du conseiller Départemental Salon de Croissy sur seine 2019 Médaille de la ville de St Maurice 2019 Prix du Jury Gagny 2019 1er Prix de peinture Salon des Artistes indépendants Normands 2018 Prix du Jury Salon de Champagne sur Oise 2018 2ème Prix de Peinture Salon de Bois Colombe 2018 Diplôme d'Honneur et Médaille de la ville de Livry-Gargan2017 Prix Univers des Arts Salon de Thionville 2017 Prix de peinture Salon du Plessis Bouchard 2017 Médaille d'Or Salon de Taverny 2017 Prix de Peinture Salon de Sannois 2016 Médaille d’Or Salon de Bondy 2016 Prix de la peinture à l’Huile Ste Maure de Touraine 2016 2ème Prix de Peinture Pont des Arts Vire Normandie 2016 Médaille d’Argent Salon de Cormeilles en Parisis 2016 Prix de Peinture Salon de Guyancourt 2015 Prix du Public Coye la Forêt 2015 Grand Prix du Salon de Roissy en France 2015 L’école de la Loire Prix de Composition Fantastique 2015 L’école de la Loire Grand Prix du Conseil Général 2015 Prix du Public Salon de Plaisir 2014 Prix du Jury Salon de Coye la Forêt 2014 Prix du Bateau Atelier Salon de Bennecourt 2014 Prix du Jury Salon d’Etampes 2014 1er Prix de Peinture de la Municipalité de Taverny 2014 1er Médaille d’Or Salon de Vittel 2014 Prix de la Municipalité de Viarmes 2013 Prix du Public Salon de Gouvieux 2013 Prix de Peinture Salon de Magny en Vexin 2013 Prix de Peinture Salon de Pontoise 2013 1er Prix de Peinture Salon Formes et Couleurs Vélizy Villacoublay 2013 Médaille de la Ville Mantes la Ville 2013 Prix du Jury Salon de Bernay 2012 Prix de Peinture Salon de Montmagny 2012 Prix de Peinture Salon de Rouen 2012 Grand Prix de Peinture de St Aubin...

"Mimosa" is a painting by Maestro Edele Bessy - MABILLOT GRANDJEAN GENEVIEVE The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Bessy, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Edele Bessy was born on August 7, 1946. Self-taught painter since 1982. At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting. New beings appear unconsciously on his canvases taking on the dimension of a wandering crowd, mostly women whose eyes arise and challenge us with ever so much acuity. Maestro Bessy paints in a very personal, constantly evolving style. Maestro MABILLOT GRANDJEAN GENEVIEVE - ADELE BESSY Awards : Prix de Peinture du Salon de Beauchamp 2023 Médaille du Conseil Départemental de Bourg la Reine 2023 Prix de peinture Salon des Amis des Arts de Chaville 2022 Prix de peinture Salon des beaux-arts de Boulogne-Billancourt 2022 2ème Prix de Peinture Salon de Chablis 2022 Prix de la ville Salon du SPAM Pontoise 2021 Grand Prix de Peinture de SEMEAC 2021 Prix du Jury indépendant Etampes 2021 Prix du conseiller Départemental Salon de Croissy sur seine 2019 Médaille de la ville de St Maurice 2019 Prix du Jury Gagny 2019 1er Prix de peinture Salon des Artistes indépendants Normands 2018 Prix du Jury Salon de Champagne sur Oise 2018 2ème Prix de Peinture Salon de Bois Colombe 2018 Diplôme d'Honneur et Médaille de la ville de Livry-Gargan2017 Prix Univers des Arts Salon de Thionville 2017 Prix de peinture Salon du Plessis Bouchard 2017 Médaille d'Or Salon de Taverny 2017 Prix de Peinture Salon de Sannois 2016 Médaille d’Or Salon de Bondy 2016 Prix de la peinture à l’Huile Ste Maure de Touraine 2016 2ème Prix de Peinture Pont des Arts Vire Normandie 2016 Médaille d’Argent Salon de Cormeilles en Parisis 2016 Prix de Peinture Salon de Guyancourt 2015 Prix du Public Coye la Forêt 2015 Grand Prix du Salon de Roissy en France 2015 L’école de la Loire Prix de Composition Fantastique 2015 L’école de la Loire Grand Prix du Conseil Général 2015 Prix du Public Salon de Plaisir 2014 Prix du Jury Salon de Coye la Forêt 2014 Prix du Bateau Atelier Salon de Bennecourt 2014 Prix du Jury Salon d’Etampes 2014 1er Prix de Peinture de la Municipalité de Taverny 2014 1er Médaille d’Or Salon de Vittel 2014 Prix de la Municipalité de Viarmes 2013 Prix du Public Salon de Gouvieux 2013 Prix de Peinture Salon de Magny en Vexin 2013 Prix de Peinture Salon de Pontoise 2013 1er Prix de Peinture Salon Formes et Couleurs Vélizy Villacoublay 2013 Médaille de la Ville Mantes la Ville 2013 Prix du Jury Salon de Bernay 2012 Prix de Peinture Salon de Montmagny 2012 Prix de Peinture Salon de Rouen 2012 Grand Prix de Peinture de St Aubin...