Unknown

Antique Dutch painting of countryside with figures and animals

18th Century

Large Orientalist painting of an Egyptian landscape by Löffler German, c. 1850 Canvas: Height 103cm, width 148cm Frame: Height 116cm, width 159.5cm, depth 8cm This superb oil paint...

Two oil on panel Old Master landscape paintings by Johannes Jakob Hartmann (Bohemian, 1680-1730) Bohemia, early 18th Century Panel: Height 73cm, width 93cm Frame: Height 90cm, width...

Pair of large paintings of Jerusalem from the Mount of Olives Continental, c.1920 Frames: height 129cm, width 206cm, 7cm Panels: height 110cm, width 188cm These wonderful paintings - or rather single painting, split across two panels - depict the city of Jerusalem as seen from the Mount of Olives, a popular and recurring viewpoint chosen by many landscape artists for paintings such as this. Depicted in the bright light of the sun, the clear air and glow of the city...

'Travellers in the Desert,' A large Orientalist painting by C. J. Theriat American, Late 19th Century Canvas: 80cm x 126cm x 2cm Frame: 95cm x 141cm x 5.5cm Executed in oil on canvas in a giltwood frame, signed, inscribed and dated lower left 'C. J. Theriat Biskra. (18)95,' this excellent Orientalist painting shows a desert scene with two figures, one riding a mule, in the Algerian Desert at Biskra. It was made by the American artist Charles James Theriat...

Orientalist oil painting of Damascus Gate in Jerusalem by Macco German, Early 20th Century Frame: Height 66cm, width 84cm. depth 8cm Canvas: Height 42cm, width 59cm Imagined and brought to life by German artist and illustrator, Georg Macco (1863-1933), this captivating Orientalist oil-on-canvas painting showcases the vibrant scene at the Damascus Gate in Jerusalem. Depicting a bustling thoroughfare, the canvas is alive with the energy of traders and their vibrant market stalls lining either side of the street. Amidst this animated marketplace are animals like goats and chickens, adding a further layer of authenticity to the scene, and showcasing the artist’s masterful range. A focal point is an elderly man, clad in warm shades of brown and beige, complemented by a vivid head scarf, as he ambles towards the viewer. Adjacent to him, a woman is immersed in a negotiation with a market vendor for an array of fruits and vegetables. Further in the backdrop, a colourful assemblage of individuals can be seen, swathed in a rainbow palette of red, yellow, brown, and blue. Their activities range from strolling towards the viewer, moving into the distance, or engaged in lively discussions. The painting's left side offers a more serene ambiance, with fewer market stalls and people. It features a female figure seated beside a stack of brown bags...

This artwork has been painted in the Expressionist style, with loose brushstrokes depicting a Flemish winter landscape. The painting shows a windmill, houses and partially frozen lak...

Signature: Signed Lower Right and Dated ’88 Illustration of a New York Central train.

Genevieve Hamel Mon Amour Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.625 inches Signed by hand COA provided Ref.: 924802-2091 Gorgeous, generous, sumptuous, and velvety, this ro...

Genevieve Hamel Vintage Flowers Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.625 inches Signed by hand COA provided Ref.: 924802-2099 These vintage colors transport you back in ti...

Genevieve Hamel Soft & Fluffy Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided Ref.: 924802-2096 Soft & fluffy are the perfect words to describe...

Genevieve Hamel Multiples Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.625 inches Signed by hand COA provided Ref.: 924802-2092 Together we are always stronger. Daisies in the mea...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...