Unknown

Large 19th Century Silk Scrollwork Painting

1830

A late nineteenth century polychrome painted panel, depicting a foliate and ornithological arabesque upon a white ground. Oil on panel, set within an ebonised frame.

Henry Pickering, Portrait of a Gentleman Oil on canvas; signed and dated 1759; held in a giltwood period frame Provenance: Lenygon & Morant Ltd. c.1900; Knoedler, October 1912 (Sto...

Mather Brown (1761-1831) Portrait of Major-General John Robinson (1757-1819) Oil on canvas; held in a period giltwood frame Provenance: Denston Hall, Suffolk and by descent Literature: Suffolk Portraits, mss by Edmund Farrer, 1921. Vol. 5 (West Supp), entry 230, no.4 – NPG Heinz archive. John Robinson was a third generation professional soldier, whose father was a Lt.-Colonel. He joined the army in 1773 and was Captain by the time he married Rebecca Clive, daughter of “Clive of India” in March 1782. This family connection helped him immeasurably in his political ambitions as a seat in Parliament became available whilst his brother-in-law Edward, Lord Clive was in India. The portrait presented here was completed around 1805 when Robinson was a Major-General. This is confirmed by evidence that surrounds an incomplete portrait by George Romney of his late wife Rebecca. Unfinished at the time of Romney’s death, the painting remained unpaid for and unclaimed. On 25th March 1805, William Saunders, a framer, who had been looking after the work wrote to the artist’s son John Romney...

Charles Jervas (1675-1739) Portrait of Joseph Mellish (1675-1733) Oil on canvas; held in a carved period frame Dimensions refer to size of frame. Provenance: Blyth Hall, Nottinghamshire, England; by descent to Sir Andrew Buchanan of Hodsock Priory, Nottinghamshire In 1635 John Mellish, a merchant tailor of London, bought the estate of Blyth in Nottinghamshire. His son, a wealthy Oporto merchant, dying unmarried, left Blyth in 1703 to a cousin, Joseph Mellish, who became one of Newcastle’s earliest and most important political supporters in the county. He went up to Clare College, Cambridge in 1692 and on to the Inner Temple the following year. He married Dorothea Gore, daughter of Sir William Gore...

Follower of Samuel de Wilde c.1841 Portrait of an Actor in character. Oil on canvas; held in a period gilded frame. Dimensions refer to size of ...

Margaret 'Peg' Woffington, was born in Dublin around 1714. Her charm and beauty as a child attracted much attention quickly resulting in her first stage role at the precocious age of 10. Her first important appearance was as Ophelia in 1737 in Dublin, followed by her greatest role, the male part of Sir Harry Windair in Farquhar's Constant Couple, which in 1740 led to her engagement by John Rich...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene Antonio Petruccelli (1907 – 1994) The World We Live In Coral Reef ...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Pink Flamingo's Frank Duffield (British, 1908-1982) original watercolor painting on thick artist paper, unframed size: 10.5 x 11.5 inches condition: overall very good, minor wear to the edges as is normal for an unframed work, minor staining from age/ light to the surface provenance: from a large private collection of this artists work in the UK The artist: Born in Warwick in 1901, Duffield came to Bristol at the age of 23 as an artist at the studio of Mardon Son and Hall. He worked as an illustrator producing designs for cigarette cards, remaining with the company for 37 years until his retirement. He was elected an Artist Member of the Bristol Savages in 1946. He was an extremely keen and regular attender not only in the studio but at all other Savage functions. He was noted for his friendly demeanour and seldom seen without a pipe in his mouth. He was a good pianist and would play popular tunes after the Wednesday evenings’ entertainment for members to join in singing and always with his pipe in his mouth. In 1965 he was commissioned by the Gloucester Regiment to paint a portrait of Brigadier Manley Angell James, VC, DSO, MBE, MC, a Bristol man who won his VC during the first World War. The painting is now in the Imperial War Museum. Frank was made a Life Member in 1973 and died in 1982. Frank Duffiled was a member of the artist group, known as "The Bristol Savages": Founded in 1894 by Ernest Ehlers, he invited his fellow Bristol based artists to spend a friendly evening in his studio to work and talk. At first, meetings were held in their private studios, then as their numbers grew, in rented premises. By 1904 this led to the official founding of the Bristol Savages and the holding ever since, of similar weekly meetings between October and May each year. In 1905 the first exhibition of paintings was held at the premises of George Nichols & Co., an auctioneer in Broad Street, Bristol. During the next 14 years exhibitions were held annually in Bristol and their first permanent home was Brandon Cottage which was made available to them through the good offices of fellow member James Fuller Eberle. When the Red Lodge...

Garth Bayley Heads Down Original Equine Painting Watercolour Paint on paper Image size: H 25cm x W 32 cm x D 0.1 cm Sold Unframed Please note that in situ...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...