Unknown

Signed Impressive 19th Century Venice Italy Original Framed Oil Painting

1850

Antique French impressionist oil painting by Maurice Alfred Decamps (1892 - 1953). Oil on canvas. Signed. Framed. Image size, 29L x 24H.

Antique French impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 28L x 20H.

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 15L x 12H.

Antique Canadian impressionist landscape signed oil painting. Oil on board. Signed. Framed. Image size, 20L x 16H.

Antique American impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.

Large Antique modernist street scene painting. Oil and gouache on board. Signed. Framed. Image size, 21L x 19H.

Signed lower right: Irving R. Wiles

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...