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Valérie de SarrieuUntitled II by Valérie de Sarrieu - Tempera and oil on canvas landscape painting2009
2009
About the Item
Untitled II is a unique tempera and oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 130 × 162 cm (51.2 × 63.8 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
Valérie de Sarrieu attempts to capture the lights of the landscapes she sees throughout the day and in various seasons as accurately as she can. A brief moment must be captured for Valérie de Sarrieu's work to resemble a photographic project because of the significance of light and the passage of time.
These days, the artist primarily creates "sur le motif" (en plein air) paintings while outside. “Working on the place and its responsiveness, on the light of that precise moment, and its simplest and fairest reproduction,” is how she sums up her methodology. Painting from nature implies speed and discipline: Valérie de Sarrieu excels in this exercise thanks to the intimate communion she maintains with the landscape (whether natural or urban) and gives her paintings their sweet and endearing poetry.
- Creator:Valérie de Sarrieu (1958, French)
- Creation Year:2009
- Dimensions:Height: 51.19 in (130 cm)Width: 63.78 in (162 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803114024232
With a bachelor’s degree in history of art, Valérie de Sarrieu mainly works today on outdoor paintings called “sur le motif” (en plein air). The artist tries to reproduce as faithfully as possible the lights of the landscapes she observes at different moments of the day, and in different seasons. The importance of light and the effect of time brings her work closer to a photographic project for which it is important to capture a short moment. Painting from nature implies speed and discipline: Valérie de Sarrieu excels in this exercise thanks to the intimate communion she maintains with the landscape and that confers to her paintings their sweet and endearing poetry. “Working on the place and its responsiveness, on the light of that precise moment, and its simplest and fairest reproduction.”
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