Victor Papkov

'San Francisco Sunset', Impressionist Seascape, Russian-American, Bay Area

Circa 1985

Signed lower right 'F.H. Cutting' and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting moved to San Jose, California in 1893 where he st...

Impressionist-style California landscape with eucalyptus trees growing beside a river and a view beyond towards distant hills. Signed lower left "M. Gilbert" (American, 1867-1945) for Mae Hill Gilbert and painted circa 1940. Born in Illinois, Mae Gilbert was living in Monterey by the 1930s and exhibiting at the Carmel Art Association. Her son, Arthur Hill...

Signed lower left, 'Milton W. Holm' (American, 1903-1999) and painted circa 1960. This notable American Impressionist was a long-time member of the Rochester Art Club and served as president of the Genesee Group of Painters. The Genesseeans sought to capture the Spirit of Place in their rendering of regional landscapes, and were dedicated to resisting the incursions of European modernism. Holm later became involved with the Rationalists, who he helped to organize in 1939, also in Rochester, and whose artistic goal was "orderly creation and craftsmanship plus individuality." He remained a central figure in the Rochester art colony and served as president of the Rochester Art Club between 1957 and 1959. Holm exhibited nationally with success including at the National Academy of Design...

Signed lower left, 'Henri Buron' for Henri Lucien Joseph Buron (French, 1880-1969) and dated lower right 1927; additionally signed verso and dated. The painting is displayed in a cu...

Signed lower right, 'Komaromi-Kacz' for Endre Komaromi-Kacz (Hungarian, 1880-1969) and titled, 'Molm'. Born in Komarom, Kacz was initially a pupil of Eduard Ballo, a painter of port...

Signed lower right, 'Papkov' for Victor Papkov (American, 20th century) and dated 1988; certification of authenticity stamped verso. A dramatic Impressionist oil seascape showing late sunset off the San Francisco coast...

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Mediterranean Cottages with Red Roof Tiles in Rural European Countryside by Irish Artist Art measures 7 x 4 inches Frame measures 13.5 x 10.5 inches Impressionistic painting usi...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...