Items Similar to On the Coast of Holland, Fishing Boat Ready for Sea
Want more images or videos?
Request additional images or videos from the seller
William Edward NortonOn the Coast of Holland, Fishing Boat Ready for SeaCirca 1890
Circa 1890
About the Item
An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf in this coastal scene by William Edward Norton. It is along the Dutch Coast, as is recorded by the artist himself with an old label verso, extremely rare for this artist to have provided any identifying information for his painted subject.
We are told as well that it is a fishing boat, although the thick, rounded hull and dropped sideboard would have made that our first guess, as well as its Northern Europe nationality of the vessel. It was on these shores that Norton perfected his art, following in the steps of William Edward Cook, famous for such scenes through the 1850s.
A serene implication falls over the composition with Norton’s intentionally muted, soft sky tones; the atmosphere feels cool and heavy, yet the colors of the ship’s rails and hulls pop in their blue, green and red hues. The crashing white impasto of the surf gives the scene not only depth, but practically a third dimension with its thick application. The overall feeling of optimism for their success makes this a great and unusual vertical coastal scene, a perfect compliment to a traditional ship portrait.
Sight Size: 42 x 34 Inches
Signed LL: W.E. Norton
Label Verso: Off the Coast of Holland, Fishing Boat Ready For Sea.
William E. Norton, 21, Camden Rd., London NW
- Creator:William Edward Norton (1843 - 1916, American)
- Creation Year:Circa 1890
- Dimensions:Height: 51 in (129.54 cm)Width: 43 in (109.22 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Costa Mesa, CA
- Reference Number:1stDibs: LU2139211541872
William Edward Norton
Born in Boston, William Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. He studied at the Lowell Institute in Boston, and with George Inness, and then established a studio in Boston. In the early 1870s, he went to Paris and became a student with Chevreuse and A. Vollon, and then he settled in London where he exhibited throughout the last quarter of the 19th century. His reputation there was based on his scenes of the Thames River, and ocean and coastal views. In 1901, he and his wife returned to the United States and settled in New York City. He also painted at Monhegan Island, Maine, where a treacherous ledge on the southern side of the island is named "Norton's Ledge" for him. He was a member of the Boston Art Club with whom he exhibited from 1873 to 1909. He also exhibited with the Pennsylvania Academy, the Royal Academy in London, the Paris Salon, the 1893 Chicago Exposition, and the Art Institute of Chicago.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1972
1stDibs seller since 2022
5 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Costa Mesa, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Pluie a Venice (Venice in the Rain)By André HambourgLocated in Costa Mesa, CAPluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...Category
1960s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- PrintempsBy Charles LevierLocated in Costa Mesa, CAA beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...Category
Mid-20th Century Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Breaking SurfBy Sally SwatlandLocated in Costa Mesa, CABlessed with natural artistic ability and finding encouragement from her family at an early age, Sally Swatland has traveled the proper paths to find herself in a unique place: the foremost American woman painting children at the seashore. With a romanticized nod to yesteryear, Swatland's characters are innocent and fair, in an array of matching springtime and summery apparel. Adept with brush and palette knife, she blends many artistic influences and styles into her own unique presentations. This painting features a fair-haired young girl dipping her feet in the shallow waters along a rocky shoreline. The sea behind is a brilliant blue with small white-capped waves rolling into shore. The brushwork alternates between smooth strokes in the child's form and dress and more impasto work and sharper edges on the rocks and in the more active parts of the sea. The overall effect is that of being at the sea and finding serenity in the contrast between the calm shore and the always moving ocean. The seas' eternal inspiration form a common backdrop to many of Swatland's artistic works. Born in Washington D.C., her family moved to Greenwich, Connecticut and often summered at Tod's Point, Long Island Sound. She would go on to become an art major at Mount Saint Vincent College, study under Robert Schulz in the Art Students League of New York, and come to be represented early by Alistair Stair in his New York and Florida galleries...Category
Early 2000s Contemporary Landscape Paintings
MaterialsOil, Board
- At the Yacht ClubBy Edward CucuelLocated in Costa Mesa, CAArtist Edward Cucuel and his wife Clara Lotte von Marcard spent their first two decades together in Germany, mostly in a villa on Lake Ammersee in Holzhausen near Munich. It is the works created in this period, mainly outdoor scenes of young women in fashionable attire of the day, that are most collected and appreciated among his works. It’s easy to see why- they capture an elegance and sense of calm and easy leisure- of long days in gardens or by the water. This is one of those captured moments with a well-dressed woman watching the sailing yacht...Category
1920s Impressionist Landscape Paintings
MaterialsCanvas, Oil
- View of the Hongs, CantonBy 19th Century Chinese schoolLocated in Costa Mesa, CASought by collectors worldwide, art and artifacts showing an early western presence in the Orient boomed with the opening of the China Trade by way of the sailing ship. The surviving paintings which capture the important Chinese harbors...Category
1850s Landscape Paintings
MaterialsCanvas, Oil
- The Brigantine E. MILLERBy Elisha Taylor BakerLocated in Costa Mesa, CAThis luminous work depicts the American merchant brigantine E. MILLER. The sun sits low behind the ship, illuminating the sky with colors of yellow and deep rose tones. The sun has just touched the sea at the ship's bow and around her stern, creating a halo of light in the small waves. The E. Miller is in full sail with sailors active on her deck, with her brightly colored name pennant snapping in the wind alongside the American flag and company flag. Though unsigned, this is clearly the work of artist Elisha Tyler Baker. Baker only signed about a third of his paintings, so this is not unusual for the artist. The rendering of the vessel to his touch in the sea and sky all give very clear clues that the work is his. Though little information remains about her voyages we know the ship E. MILLER was built in Virginia by the Surry Company in 1856 and had a weight of 132 tons. Sailing out of Richmond she was also known to frequent the port of Baltimore. From Richmond she would have carried out agricultural goods, lumber, and iron, while importing manufactured goods and guano to fertilize Virginia's tobacco fields. Given that she was built before the Civil War and was ported in Richmond throughout the war, it's likely the E. MILLER was involved in moving goods to supply Confederate forces. Sight Size: 23 3/4 x 32 Inches Vallejo Gallery features the finest in marine and maritime antiques...Category
1860s Paintings
MaterialsCanvas, Oil
You May Also Like
- "Ebbing Reef" Corals, Large Scale Contemporary Seascape Oil Painting (deep blue)By Karen MarstonLocated in New York, NY60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...Category
2010s Contemporary Landscape Paintings
MaterialsOil, Canvas
- "Valencian Flower Pickers ", Early 20th Century Oil on Canvas by José MongrellLocated in Madrid, ESJOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...Category
1910s Realist Figurative Paintings
MaterialsCanvas, Oil
- Bords du Loing by Alfred Sisley - Oil, landscape paintingBy Alfred SisleyLocated in London, GB*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Bords du Loing by Alfred Sisley (1839-1899) Oil on canvas 46.1 x 55.7 cm (18¹/₈ x 21⁷/₈ inches) S...Category
1890s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- American Street SceneBy Irving NormanLocated in Palm Desert, CAA painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...Category
Mid-20th Century Post-War Figurative Paintings
MaterialsCanvas, Oil
- BacchanalBy Irving NormanLocated in Palm Desert, CAA painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...Category
Mid-20th Century Post-War Figurative Paintings
MaterialsCanvas, Oil
- The Triumph of Bacchus, a large oil painting by Ferdinand LeekeLocated in London, GBThe Triumph of Bacchus, a large oil painting by Ferdinand Leeke Oil-on-canvas, German, 1918 Frame: height 175cm, width 227cm, depth 10cm Canvas: height...Category
1910s Romantic Figurative Paintings
MaterialsCanvas, Oil