Wolf Kahn

"Purple Hills" Wolf Kahn, Vermont Meadow Landscape, Pastels

Wolf Kahn Behind Reeds, 2004 Signed lower left Pastel on paper 7 x 9 inches Provenance: The artist Ameringer McEnery Yohe Gallery, New York Private Collection, Florida An important...

Wolf Kahn Dark Diagonal, 2012 Signed lower center Pastel on paper 9 x 12 inches An important member of the second generation New York School, Wolf Kahn is renowned for his luminous,...

Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf K...

Wolf Kahn Barns and Silos in New Jersey, 1985 Signed lower center Oil on canvas 28 x 34 inches An important member of the second generation New York School, Wolf Kahn is renowned fo...

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Milton Derr, also known as Milton Johnson, was a painter, illustrator and educator. Born in 1932 in Milwaukee, Wisconsin, Derr studied at the Layton School of Art, Milwaukee, the School of the Museum of Fine Arts, Boston, and the Independent Group of Painters and Sculptors, Tokyo, Japan. He been featured in many exhibitions, including several sponsored by Northeastern University’s African-American Master Artists in Residency Program, the Federal Reserve Bank of Boston, the Museum of the National Center of Afro-American Artists, the Boston Museum of Fine Arts, and the Studwasio Museum of Harlem. During the Korean War, he served in the United States Air Force. In 1964, Derr joined the faculty at the School of the Museum of Fine Arts. He also taught at Tufts University. Derr describes himself as a figurative painter whose style falls somewhere between expressionism and impressionism. He has been included among the black...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

Stunning pastel on paper of Wyoming by Erle Loran (American, 1905-1999). Erle Loran was a modernist of urban and coastal views and geometric painting. Signed lower left." Unframed. Image, 14"H x 17"L. Condition: minor age toning to edges and pastel smudges. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

Vintage Southwest Adobe Landscape Original Pastel Painting c.1985 Outstanding late 20th century pastel painting by mystery artist. The painting is s...

Postcard from the Shore 9.0 x 12.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: “'Postcard From The Shore' is a painting done as a demo for...

Fellside Rise by Jacqui Bassett [2021] original Oil and Cold Wax on Arches Archival Oil Paper Image size: H:37 cm x W:37 cm Complete Size of Unframed Work: H:37 cm x W:37 cm x D:0...