Lloyd Brown

Hazen Market, Hazen, Nevada, Alternate US Highway 50

2014

This is acrylic on three shaped ragboard panels in artist-made frames.

This is acrylic on a shaped ragboard panel in an artist-made frame.

n Lloyd Brown’s examination of America, we see small town intersections, train crossings, and rural stretches of road, in paintings made after he traveled across the United States on...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...

Over the past forty years, Malou Flato’s paintings have focused on the Texas landscape—its native flowers, blooming cactus, diverse citizenry, and especially its precious water and abundant sky. Flato has a studio in Austin and another on her great-grandfather’s ranch on the southwestern shoulder of the Hill Country, in Edwards County. “Texas is my inspiration,” she says. “I have made my life here, and I would like to think that my art reflects the place I know best.” Malou Flato’s works can be seen in many public places in Texas and beyond. They enliven a border crossing...

Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburban scenes, predominantly in the Washington, D.C., area, where he lived and exhibited. Val Lewton was born May 23, 1937, in Santa Monica, California. His father, also named Val Lewton, produced a string of successful and influential B movies for RKO Pictures, including Cat People (1942) and I Walked with a Zombie (1943). His mother, Ruth Knapp, was a painter and teacher of autistic children. He graduated in 1959 from Whitman College in Walla Walla, Washington, and earned a master's degree in fine arts from Claremont University in 1962. After moving to Washington, D.C., he served on the staff of the Smithsonian American Art Museum for 32 years, simultaneously maintaining a career as a painter in his own right. Lewton died in 2015s oon afterwards, exhibitions of his paintings were planned for the Katzen Arts Center (June 17 – August 13, 2017) and Addison/Ripley Fine Art (June 3 – July 8, 2017). Chiefly known for his landscapes, Lewton generally depicted cities and suburbs with a detached, impersonal sensibility. Writing about his watercolors in Arts magazine in 1980, Harry Rand observed, “Either by implication or statement, personalities are absent from Lewton’s work; there is hardly a sense of the lives that move through those spaces he describes.” The critic compared the artist to Fairfield Porter, Edward Hopper, and Charles Sheeler. Lewton painted from a young age. On a family trip to the Museum of Modern Art in New York City, he discovered the work of Henri Matisse, an encounter that permanently influenced his artistic vision. In the early 1960s, Lewton lived in southern California and taught art classes at the University of California Riverside. During this period, he was inspired by the paintings of Roger Kuntz...

Artist: Ian Hornak (1944-2002) Title: Song of Zephyrus, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 71 x 45 inches Inscription: Signed, dated, and titled by the artist. P...

Artist: Ian Hornak (1944-2002) Title: Hannah’s Mirror, Rembrandt’s Three Trees Transformed Into The Expulsion From Eden Year: 1978 Medium: Acryli...

Peter van der Ploeg (Rhenen, The Netherlands, 1954) 'Paal 15' (Texel, The Netherlands) Signed P04 Acylic paint on board 55 x 105 cm. Peter van der Ploeg turns to landscape to find h...

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism, or Hyper-Realism. The first generation of American Photorealists includes the painters Richard Estes, Ralph Goings, Chuck Close, Charles Bell, Audrey Flack, Don Eddy, Robert Bechtle, Ron Kleemann, Richard McLean, John Salt, John Kacere, and Robert Cottingham. Photorealism's influence and popularity continues to grow, with new books such as Juxtapoz's 2014 book entitled Hyperreal detailing current trends within the artistic genre. Selected Museum and Public Collections: Achenbach Foundation (San Francisco, CA) Arizona State University Art Museum (Tempe, AZ) Barrington Arts Center (Barrington, IL) Brooklyn Museum of Art (Brooklyn, NY) Davidson College (Davidson, NC) De Anza College (Cupertino, CA) Minnesota Museum of Art (St. Paul, MN) Monterey Peninsula Museum of Art (Monterey, CA) Northern Arizona University Art Museum (Flagstaff, AZ) Phoenix Art Museum (Phoenix, AZ) Portsmouth Community Arts Center (Portsmouth, OR) Santa Barbara Museum of Art (Santa Barbara, CA) Scottsdale Center for the Arts (Scottsdale, AZ) Strasbourg Museum of Contemporary Art (Strasbourg, France) Tucson Museum of Art (Tucson, AZ) University of Minnesota (St. Paul, MN) Select Exhibitions Stricoff Fine Art, New York, NY Dean Day Gallery, Houston, TX Phoenix Airport Museum, Phoenix, AZ Susan Street Gallery...

Breaking Waves [2022] Please note that insitu images are purely an indication of how a piece may look I always enjoy panting the sea. Through careful observation i am inspired to capture the anatomy of waves as they break and wash to shore. In this large square painting in cool blues I have tried to create a calming immersive view. Artwork by Jo Quigley...