Margot Glass

Anemone One, Botanical Painting, Gold Flowers, Leaves, Stem, Buds on Black Panel

2021

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...

A multicolored painting with bright yellow, aqua, burgundy and light violet stripes against a vivid orange background. Joanne Mattera’s paintings can be described as lush minimalis...

In this embroidery painting, a poinsettia pattern in red, yellow, purple and green is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

This delicate botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild geranium, its leaves, flowers and buds are the focus of this painting by Margot Glass. The exquisite beauty of the flower is discovered and elevated through close examination and exquisite drawing by the artist. Initialed, signed, dated and titled on verso. This series is the result of the artist's wildflower research conducted while hiking along the Pacific coast. Working on a dark ground allows the gleam and luster and delicate reflective silver and gold properties of the metallic medium to present as high tones against the black ground. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to observe and represent these plants as accurately as possible in all their irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the seed heads and leaf veining. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

In this painted embroidery, an ornate french tapestry in brick red, gold and ivory with royal blue details on is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

In this pointillist landscape, a forest scene with trees in woods is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery...

“Walking and chewing bubble gum at the same time” is a 30 x 40 inch multimedia painting by Frantz Lexy. This landscape shows a green mountain with a rocky brown and beige summit. The...

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".

Jason Baerg is a Métis Cree visual artist particularly involved in the transmission of Indigenous knowledge and vocation of taking his artistic practice fur...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

At once classic and contemporary, this painting by Jahn Page is part of a series dedicated to ‘an examination of life through the filter of flowers.’ On a to...

"Moon" from the famous Series "People", ceramic and acrylic on wood panel, D: 36 inches In Korean culture, the moon is a beacon of hope and wish. Blue Moon i...