Margot Glass

Marshmallow Two, Gold Flowers, Leaves Stem, Metallic Botanical Painting on Black

2021

In this painting in graphite and acrylic on linen mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a warm, coral shade of orange are vibrant again...

In this painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a luminous, grassy shade of green with two thinner vertical...

This delicate botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild dandelion. its leaves, petals ...

Geometric shapes compose a symmetrical pattern of curving horizontal stripes with edges rounded upward in the center in luminous, gradient shades of golden orange, coral and red oran...

Mint green and burgundy red stripes are bright and colorful against a luminous cobalt blue background. Signed, dated and titled on verso. Joanne Mattera’s paintings can be described...

A symmetrical, geometric shape is composed of curving lines in light golden orange outlined in pale green, bright and luminous against a dark purple, eggplant colored background, sug...

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

"Vision" by Maureen O'Hara Ure, mixed media on panel with thin rusted wire, 13 1/2 x 18 1/2 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

"Mixed Marriage" by Maureen O'Hara Ure, mixed media on panel, 16 x 24 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

"Panorama" by Maureen O'Hara Ure, mixed media on panel, 24 x 72 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

"Bewitching" by Marwan Nahle, acrylic on panel (yellow painted edges) 8 x 8 x 1.5 inches, $950 Marwan Nahlé is a citizen of the world. As a free spirit ...

Title: New York Ti Amo Size: 50x50 cm Media : Acrylic on wood Ulivieri's art is characterized by its spontaneous flow and precise lines. His imagination is a key component of his journey, which he calls 'Strafantasie.' As a maestro born in the same city as Michelangelo, Botticelli, and many other geniuses, Ulivieri's work is a testament to the rich artistic tradition of his hometown. Faustini Arte has held several important national and international exhibitions, but has never been as successful as with Uliviero Ulivieri...