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Melissa FurnessMelancholy and Its Antidote
About the Item
Decorative, dense tangles of weeds and overgrowth serve as metaphors for personal habits and behaviors we’d like to eliminate. Like garden weeds, these behaviors can be invasive, even if we attempt to prune. This cycle is represented by the painting's all-over, patterned surface which make it difficult to tease out which botanicals (or habits) are friend or foe. Who is to judge what is considered a weed or not?
Created during the pandemic, this body of work reflects the angst the artist detected in her art students as well as society during a moment when growth as we knew it paused and we awakened to social as well as personal ills. Thoughts and behaviors overtook us and pervaded our minds like weeds. Vices and virtues began inhabiting our mental space like the tiny, fairy-like figures who play out across her dense thickets, suggesting narratives which question human impulses and how we define identity, gender, sexuality, and fantasy. These "grotesques" are borrowed from Melissa's travels to Italy where she visited Nero's extravagant Golden House as well as other grottoes and palaces for inspiration.
- Creator:Melissa Furness (American)
- Dimensions:Height: 71 in (180.34 cm)Width: 59 in (149.86 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
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- Condition:
- Gallery Location:Denver, CO
- Reference Number:1stDibs: LU1387211031272
Melissa Furness
Melissa Furness received her MFA in Painting and Drawing from the University of Iowa. Her work has been most influenced by her travel experiences, which have included artist residencies in Beijing, China; Mexico City; Ireland; Gdansk, Poland; and Hungary, as well as those in the U.S. at Jentel in Wyoming, Kala Art Institute in Berkeley, California and Yaddo in upstate New York. These experiences have formed the core of her creative research, with her current strain of work in painting and installation influenced by public histories infused with personal narrative. Furness regularly exhibits her work both nationally and internationally with group exhibitions and open studios in Beijing, Mexico City, Budapest, Swansea, Florence, Lecce, Zurich, Korea, Cape Town, Palestine and Sarajevo, amongst others. Most recently her work has been featured in the Summer 2022 issue ‘We Are All Meat’ of the Netherlands-based art magazine, SeeAllThis as well as edition #132 of New American Paintings through Open Studios Press. Her work has also traveled to Germany as part of the ‘Calculations: Units of Measurement’ exhibitions in Berlin and Rudolstadt. Previously, she was selected to participate in the 2016 Kochi-Muziris Biennale in Karala, India through A.I.R. Gallery of New York and was an art ambassador in Mexico City for 10 weeks in 2015 as part of the Biennial of the Americas. The artist is an alumni of A.I.R. Gallery as well as a current member of the Artnauts Collective, both of which use the visual arts as a tool for addressing global issues. She has worked with galleries in New York, Seattle, Palm Springs and Zurich leading up to her current representation with K Contemporary Art. Furness is Professor of Art Practices and Illustration at the University of Colorado Denver.
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