Natasha Zupan

Color Alchemy #53 Oil, fabric, medium, on wood painting

2013

Color Derivatives #8, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique ____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, the internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Natasha shows annually throughout Europe, Asia, and the United States, including multiple exhibitions at the Columbus Museum of Art...

Color Boundaries #66, Painting 2018 by Natasha Zupan From the series Color Boundaries Sand, pigments, clothes, synthetic binders, oil on wood Size: 51 in. H x 36 in. W Unique ______...

Color Boundaries #57, Painting 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on wood Size: 18 in. H x 15 in. W Unique _________________________________...

Color Boundaries #60, Painting 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, Gold, medium, on wood Size: 19.5 in. H x 19.5 in. W Unique _______________________...

Color Derivatives #15, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique ____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, the internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Natasha shows annually throughout Europe, Asia, and the United States, including multiple exhibitions at the Columbus Museum of Art...

Color Derivatives #11, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique ____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, the internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Natasha shows annually throughout Europe, Asia, and the United States, including multiple exhibitions at the Columbus Museum of Art...

Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observ...

This complex, yet abstract artwork is a typical piece by Ilana Seati, explories themes of the human condition, truth and fantasy. This bold composition on stretched canvas measures a...

Three Gifts is a beautiful oil and mixed media painting on canvas, realized by the Italian artist Marco Amici in 2002. Original Title: Tre Doni Title and monograms are written by t...

This complex, yet abstract artwork is a typical piece by Ilana Seati, exploring themes of the human condition, truth and fantasy. This bold composition on stretched canvas measures a...

Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

Gregg Robinson, American (born 1948) "Cipher Bar 20" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...